[{Leak//Zip}] Phoebe Bridgers Punisher (Hot)* Album Download
[{Leak//Zip}] Phoebe Bridgers Punisher (Hot)* Album Download Punisher is the upcoming second studio album by American musician Phoebe Bridgers. It is scheduled to be released through Dead Oceans on June 19, 2020
Hello friends good news for all, Phonebe Bridgers is going to released his new album Punisher on June 19th through Dead Oceans band.Phonebe Bridgers who is songwriter also, gives this news to everyone after releasing “Garden Song” track.
The album punisher was written and recorder by Tony Berg and Ethan Gruska between 2018-2019 with 11 beautiful tracks.
Download Now :- https://bit.ly/3d9xplD
The record also sees Bridgers teaming up with Dacus, Baker and Oberst, as well as Warpaint‘s Jenny Lee Lindberg across the eleven tracks. You can check out the album’s track-listing and artwork in full.
1. DVD Menu
2. Garden Song
3. Kyoto
4. Punisher
5. Halloween
6. Chinese Satellite
7. Moon Song
8. Savior Complex
9. ICU
10. Graceland Too
11. I Know The End
If you are searching for leaked album, then you are in right place.Just click on below download button, follow some simple steps and download album for free now.
Considered one of the most anticipated albums of 2020 for her fans, Phoebe Bridgers delivers a gorgeous sophomore studio effort that's packed with raw emotion, honestly, angst, and humor. While the production on Punisher retains Bridgers' sound, the lyrics push into new territory, and the more you listen the more meaning you'll take away from the personal portraits of everyday life. Songs like "Savior Complex" and "Graceland Too" leave you wanting to hear whatever extra verses might not have made it onto the album. That sense that you're getting the best version of each song is easy to take for granted as Bridgers makes her craft sound effortless. Punisher sounds like it was made in the moment while also sounding timeless which is one of the true marks of a great album.
Phoebe Bridgers' new album Punisher is out on Friday, June 19.
Throughout her sophomore effort, Punisher, Phoebe Bridgers is often transfixed by a feeling of stasis. Songs like “Chinese Satellite” and “I See You” evoke the sensation of being frozen, exacerbated by the perpetual anticipation of doom. “I’ve been running in circles trying to be myself,” she sings on the former. Again and again over the course of Punisher, the singer-songwriter laments her inability to find solid ground, her voice low but certain. These songs simmer beautifully and quietly, eventually boiling over in intermittent moments of sonic boisterousness, and the results are often stunning.
The album’s first two songs, “Garden Song” and “Kyoto,” perfectly illustrate this dynamic. Musically, “Garden Song” sounds tense and distant, with a light and bouncy guitar turned all the way down in the mix, while the unabashedly jaunty and bright “Kyoto” nearly bursts at the seams, every element clear and pristine. The restraint of “Garden Song” helps “Kyoto” hit harder and peak higher. And all the while, Bridgers’s breathy but confident voice remains the focal point of the track: “When I grow up, I’m going to look up from my phone,” she sings with certainty, “and it’s going to be just like my recurring dream.”
Elsewhere, Bridgers addresses a generation resistant to defining itself against a backdrop of catastrophe. “Halloween” creeps along while the singer muses about ambulance sirens ringing out in the night: “I used to joke that if they woke you up/Somebody better be dying.” Later, when Bridgers draws out the line “Come on, it’s Halloween,” it feels more mournful than celebratory, like a haunted state of being rather than a fun night out with friends. This renders the one seemingly hopeful line—“We can be anything”—sound like a comment on the paralysis that comes with trying to decide which mask to wear.
Punisher’s best songs are those most adept at bringing all of these themes and sounds together. “Chinese Satellite” starts out wispy and ethereal before building to an apex of lush, cinematic strings, booming drums, and keen electric guitars. Here, Bridgers is in peak form as a lyricist, her moments of devastation shot through with a sardonic smile: “I want to believe,” she declares as a myriad of sounds fades away and we’re left with only those serious, dramatic strings. “Instead I look at the sky and I feel nothing,” is the punchline, and the moment is jarring compared to what initially feels like a real epiphany.
Punisher’s closing track, “I Know the End,” is a travelogue at the end of the world, explicitly illustrating the cloud of uneasiness that hangs over the album. Bridgers sprinkles the song with nods toward an amorphous kind of closure: A tornado comes for her hometown, a siren sounds in the distance, government drones and alien spaceships float off in the sky, and a billboard warns that “the end is near” amid a crescendo of horns and explosive noise. The album ends with blood-curdling screams, until all the sound fades out and Bridgers’s voice is hoarse. The end of the world is a central detail on Punisher, an influence over the uncertainty that falls over these dark but gorgeous songs.