Beta test starts on April 22, 2024

Hey, guys!

I've been preparing for this for a long time, thinking about it and planning.

I believe this will transform the way we learn architectural visualization, given my extensive experience in the field:

Up until February 2022, I led a large community in the post-Soviet region, with nearly 700 members. Regrettably, the war forced me to leave my project. However, this prompted me to grow further.

What about a community where everyone can access all educational courses and workshops?

Most of renders I share on Instagram are by people who learned in my ex-community.

❓Why not extend this opportunity to everybody globally?

✅Why is this important and how will it change everything?

I am convinced that regardless of the quality of the course, students always have questions and they require support. Full study programs are often expensive, and not everyone can afford them. An important advantage is that the student receives support not only during the course.

The club-like learning model, which uses a membership approach, lets you study at your own speed and is affordable for many. This is because it works on a monthly subscription basis, which you can stop when you want.

What will be the basis of the training program:

🖼️Interior Visualization

2-3 lessons per week, the course is designed for 3-4 months:

• creation of interior scenes
• realistic light in Corona and Vray
• setting up realistic detailed materials
• post-production in Photoshop

~40 lessons

🏡Exterior Visualization in Corona

2-3 lessons per week, course for 3-4 months:

• full course of architectural modeling using drawings
• working with references, mood, and angles
• materials, detailing
• professional post-processing of renders

~60 lessons

💬All of this will be with feedback from me and teachers at key stages of learning

💡What else can you get in the club:

Additional courses and workshops - AI, exerior\interior workshops, guides.

Feedback - including on your commercial projects. An experienced outside perspective can sometimes be more valuable than thousands of youtube videos.

Knowledge Base Updates - New features, tips, scripts, and helpful hints every week.

Community- a group of people with similar interests, skilled image creators, and experts. The chance to work and share together.

Chat Support - help in case of problems

Mobile app access

Access to workshops, courses, and lessons - plans to expand the knowledge base.

📅Upcoming Features:

• Special discounts for club members from our partners and services
• A gallery to showcase works
• A platform for exchanging orders and collaborating
• Business development in archviz and how to promote yourself on Instagram

📌Special offer for you

Our club is still in the works, and we'd love for you to help us shape it by becoming a beta tester.

By beta testing, you'll help us make the club better, understand what our members need, fine-tune how the club works, and fix any problems before we officially launch.

💥Why you should to be a beta-tester:

As a beta tester, you'll be one of our first members and have the chance to shape our club. Plus, we'll really value your feedback. And, it's cheaper to join now than it will be later - you'll save 2-3 times what others will pay.

Yes, there is a fee for participation. This shows your commitment and also helps fund the initial stages of the community launch.

I need up to 100 people for beta testing. This offer is exclusive to those who have already purchased my training products and would like to further develop in architectural visualization.

If you want to be a beta tester, just fill in your contact info below:

Don't worry, this won't force you to do anything. It just shows you're interested in joining us. We'll start beta testing on 📅April 22

👉Registration link

The cost of the subscription for beta testers will be 19$ per month (with regular price 49$), and will not change in the future for you.

If you have any questions about the community and the beta test, don't hesitate to ask in comments.

Do you want to be able to create the same kind of work?

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

MassFx is a plugin built into 3ds Max that creates a physical simulation. The plugin allows you to scatter various objects. You can fill a basket with apples or a vase with candy.

The objects should be placed above the form to be filled.

First, let's take the MassFix panel out of the menu and place it in a convenient location.

Then let's specify static objects, in our case it will be a table and a bowl. In the Shape Type parameter, select Original.

Next, let's mark dynamic objects. These will be apples. Let's run the simulation.

In the simulation, we see that some of the apples seem to have "fallen" under the table. Let's fix it by going to the Motion List and in the World Parameters increase the value of Substeps.

With MassFix you can easily place small objects in a container. Also you can "bake" the simulation with the Bake command.

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

The functions of the panel are:

1) Place Working Pivot: allows you to place a Working Pivot on a vertex, edge, or polygon in one click.

2) Align Working Pivot: allows you to change the orientation of axes manually.

3) Selection Pivot: allows you to orient the axes along a selected edge, vertex or polygon (see gif).

4) Create Point From Working Pivot: adds to the scene a helper Point oriented the same way as the current Working Pivot.

5) Create Grid From Working Pivot: creates a Custom grid oriented the same way as the current Working Pivot.

6) Place Pivot Bounding Box: Used in conjunction with the Place Working Pivot function. Adds an additional 24 points on the sides of the outline container where you can place a Working Pivot.

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

Download the archive on the very first link (this is the latest version).

Unpack the archive SoulburnScriptsPack_3dsMax_v112_R2013toR2022.zip and throw all 3 folders from the archive in the root of 3ds Max (C:\Program Files\Autodesk\3ds Max 20xx). If any window appears, confirm the folder merge and click "Continue".

Restart 3ds Max if it was running. If not, just start it.

The next step is to create a separate Toolbar for the scripts.

Add to it the scripts we need (if we are already familiar with them). And fix it in a convenient place.

Each script has two icons:

1) With the name of the script (when clicked, it immediately applies the script with pre-saved settings).

2) With script name + UI (opens the script settings window and allows you to save them).

If you don't know what scripts we need yet, let's put the SoulburnListnerUI icon on the panel. This window will allow us to quickly find and run any script we need in the future.

Full description of all scripts is available on the developer's site http://www.neilblevins.com/art_assets/scripts/soulburnscripts_for_3dsmax.htm.

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

The modifier has become more convenient than the "Array" or "Spacing Tool" tools. Now you can always go back and change the value instead of copying everything over again.

The line in the attached video was created using the script "MCG Tubo shape object" - https://blog.render.courses/tubo

First, let's create two additional helper points.

Next, create a tubo object in which we will specify these points.
Let's customize tubo in such a way that it will be a suitable base for the garland. You can adjust the height, the length of the rope, the shift of the end and start points.

Select the object you want to propagate and apply the Array modifier to it. In our case, it is a star.

*Please note that if your 3d max has a version lower than 2023, you will not have the built-in Array modifier. In this case, you will have to install it as a separate plugin (we will tell you about it in a separate post)*

In the Arrai modifier settings, put remove instead of loop and specify the desired percentage value. This way you can remove your stars on the edges of the rope.

Now you can move the entire garland by simply selecting one of the help points.
Enjoy!

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

Tips for Creating Popular Renders

I have been doing 3D visualization since 2003. In 2009, I started my first 3D studio called River.black.

We work with clients from all over the world, mostly in Europe. For the past 5 years, I have been teaching 3D artists how to create impressive renders.

I have noticed patterns among the many projects my staff and students have worked on, so I have created simple principles that will help you improve your renderings.

This is why 3D renders don't always look beautiful. Let me explain some common mistakes that both beginners and experienced artists make when working on their projects. Once you understand these mistakes, you can correct your actions and know how to make progress.

There are a lot of things on the internet that can help you make pretty pictures, like scripts, plugins, and lifehacks. But those things won't make your pictures beautiful by themselves. Don't get me wrong, scripts and plugins are really neat, but they're just tools.

To make beautiful pictures, you need to think about other things too. I'll talk about those things below. The tools can help you save time so you can spend more time being creative and earn more money. But they don't directly make your pictures beautiful.

This problem is more for beginners, but even experienced 3D artists sometimes forget to use references.

When you're setting up the lighting and camera and everything seems right, you make a preview. But you don't like the picture. You redo it, change something, make another preview. And it keeps going on and on. Sometimes it feels like doing so many test renders and previews is just procrastinating.

Why does that happen? Because you don't have a clear idea of the final result you want. You're not sure what you want and when it's time to stop.

After a while, you get tired of the project and it's not clear whether it's going well or not.

In this case, you need either an outside perspective or proper use of references.

A professional has a clear goal in mind and doesn't waste time on unnecessary actions.

To work effectively and consistently on a project, you need to start by selecting appropriate references.

To use a reference effectively, find a project that is similar to yours in its configuration, style, or feeling. After that, decide how your project should look by creating a mood board with images that match your style. You can use resources like Pinterest or same.energy to find similar images easily.

Once you have collected 10-15 images, you should notice similarities between them. Choose one image and use it as a reference for your project's mood, angle, or lighting. This will help you clearly see your goal.

Take the time to select a reference before starting your project. Although it may seem like a waste of time, it will actually save you a lot of time and effort in the future.

Workflow is how we work.

Changes from the client can have a big impact on the project process, but sometimes not as much as we want.

Without a good workflow, changes can build up like a snowball, causing more changes and leading to wasted time and an unhappy client.

This can result in a project that nobody wants to see. As artists, we become exhausted and just want to finish the project at any cost, but the final result ends up being worse than we wanted.

This happens when there is no proper sequence. So, what is the right sequence?

Project estimation - information needed to assess the project's cost and timeline initially. A complete set of information is not necessary, but it's important to understand the scope of work costs.

Materials for work - this stage requires more information than the first one to fully comprehend all the details and nuances. It may be possible to clarify things if the project doesn't undergo any drastic changes during the process. For instance, evaluating an interior project requires a floor plan and style references, but drawings of the ceiling and references to furniture and accessories are required for the actual work.

Clay render - at this stage, the room's angles, geometry, and architecture in general are coordinated without details. A gray-colored render is created to avoid distraction from finishing materials, colors, and details. At this stage, the principle lighting scheme can be agreed upon. Sometimes, decor and small elements are not added to reduce the work time.

Preview - this is the stage where we coordinate the image and make comments on details, materials, and colors. It is often the most difficult stage with a lot of changes, but the foreshortening at this stage does not change. In our studio, we make a preview with a size of 2500 pixels on the largest side and allow a little noise on the render.

Final result - this is the large, final quality render with minimal noise, deep post-processing, and color correction. Usually, no edits are made at this stage.

Of course, this is an ideal workflow, and there may be some deviations from the rule in every project. The most important thing is to discuss the workflow with the client at the beginning and stick to it during the work. This way, you can save a lot of time and stress.

Well-made materials make things look real and detailed. Usually, materials aren't totally perfect and new. They usually have a few scratches, signs of use, and wear that make them look more realistic.

To make good materials, you should add some roughness.

Almost all materials in the real world have reflections, even if they are weak and blurry. These reflections are important for making things look real.

Details, even if not very visible, add to the realism.

However, it's important to have a sense of balance. There are cases where 3D artists put too many spots and imperfections, making the work look dirty. Always use references. Do you use them? :)

This is a common issue that affects how realistic 3D images look. It can happen to anyone, even experienced artists.

To understand this issue, it's important to know:

Light and Shadow:

Our eyes can better see the shape of objects when there are areas of light and shadow.

One mistake people often make is turning on too many lights inside, like backlights, lamps, and floor lamps. This can make the room look flat and unrealistic.

Color Contrast:

Remember that natural light from windows is cold, while artificial light sources have a warm hue. Finding the right balance between the two will create good color contrast and a pleasing look.

Brightness and light balance:

Sunlight from a window is usually much brighter than any light bulb.

A common mistake is when artificial light sources become too strong compared to natural light.

To make the image look more real, follow this rule and find the right balance.

Histogram:

Even if the image is dark or light, the histogram should be correct. This means there should be no empty spots and there should not be too many light or dark tones.

I made a training program about how to make interior visualization using 3ds max.

I used two render-engines at the same time in the lessons: Vray and Corona.

This lessons will teach you how to make interior visualization quickly, realistic, and accurately.

How it works:

Sign up with us to access our main training program. We're currently offering a detailed course on interior visualization in Corona and Vray.

We'll start by choosing a project. Then, we'll build the walls, decorate the room, and add some details.

Next, we'll cover camera placement and lighting in different situations. Then we'll create realistic materials!

You'll learn all about 3D visualization in a step by step manner.

Our unique feature: we use a commercial workflow. We focus on practical tips you'll need for commercial visualization. No unnecessary stuff!

The course has ~100 lessons, taking around 3 months to complete.

You'll get daily lessons lasting 10-15 minutes. This pace helps in understanding everything.

The course includes 7 homework assignments: selecting a project reference, modelling it, setting the light, adjusting the materials, rendering and post-processing.

You won't be alone. I'll be there to give homework, and provide personalized feedback on each one.

Why is this effective?

From my experience, there are three key things needed to fully understand lessons:

• time
• practice
• absence of stress

Without this, lessons are only videos. I believe each lesson should bring benefits and enhance the student's life.

We've organized the lessons and learning pace to help you study stress-free. This way, you can easily balance this with your studies, work, hobbies, and family.

Check out examples of students' work:

You can join using this link:

Light module curricculum:

How the physics of light in the interior works. What is the secret of realistic renders. Explore light contrast and histogram, how renders turn out realistic. How photographers manipulate images to maximize presentation.

Learn how to use Corona and Vray tools, including virtual framebuffer, different types of light sources, and how to control them in your work.

you will learn how to work faster with light and what to focus on. We'll cover different types of cameras, how to use albedo and synthetic light, and how to get a predictable result when working with gray materials

Learn how to quickly and flexibly set up the most popular lighting scheme, used 90% of the time. Discover a simple way for lazy people to set up the light. We'll also break down typical mistakes when creating a realistic background and practice with daylight in Corona and Vray.

when to use maps, how to remove the green tint, how to use a script with HDRI libraries, and how to stage lighting automatically.

Learn about noise: where it comes from and how to overcome it. Discover how to adjust render settings in Vray, including fast and final presets. Use a script to optimize noise automatically in Corona, which can speed up rendering by up to 50%. In the tutorial, the render was rendered for 2.5 minutes with a noise level of 3%.

Learn to create beautiful evening lighting by understanding how to play with light from lamps and floor lamps. Discover the differences between evening lighting and natural daylight and learn how to maintain the realism of the render. Explore the nuances of working with evening lighting to create stunning results

how interior photographers create artistic light and contrast. It goes into detail about the techniques they use when working with fake light and what they do when the light or contrast is insufficient

Tips to remove excess color and noise, how to remove orange colour from render caused by wooden floors, and how to restore the natural color of the render.

how to use white materials in interior design, how to defeat white haze and low contrast, and how to create realistic tulle with minimal noise

Tips for adding beautiful and realistic lighting to windowless rooms, including corridors and bathrooms

Common uses of lights in indoor spaces: chandeliers, sconces, spotlights, and backlighting. Learn how to control them and reduce noise.

Join us 👇

you can cancel anytime

You can find additional information on the website of my project

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

A cheat sheet for customizing aged board material in Corona

Included are seamless 4K maps: Diffuse, Reflection, Normal, Displacement.

Download: https://drive.google.com/drive/folders/1TQZSd7V--SxzLZpy8bZ_4lFZS_U9Ebhw?usp=sharing

Each time you customize the materials, you will get experience. Try to figure out the customizations and try to create materials easier, faster, and in the future more complex.

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/

Get your EVA course: https://render.courses/eva

May your renders be beautiful!

_________________________

Do you want to become a top professional in architectural rendering?
Student works on Behance: https://www.behance.net/rendercourses
Our Pinterest: https://pinterest.com/rendercourses/
Instagram: https://www.instagram.com/render.courses/