«Морской монстр» в реальной жизни Гайд по Seedance 2.0
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Подготовка референсов
@image1 — карта персонажа мужчины
Создаём карту персонажа мужчины в нескольких ракурсах. Пример:
@image2 — карта персонажа девушки
Создаём карту персонажа девушки в нескольких ракурсах. Пример:
@image3 — монстр
@image4 — композиция для продвинутого варианта
Этот референс понадобится только для отдельного красивого общего плана.
Композиционный референс: положение людей, монстра, масштаб и направление взгляда
☁ ВАЖНО После загрузки файлов проверьте, что теги @image1, @image2 и @image3 правильно определились в промпте. В продвинутом варианте также проверьте @image4.
Пример правильной привязки референсов к промпту
Два варианта создания видео
☁ ПРОСТОЙ ВАРИАНТ Две готовые генерации. Подойдёт, если хотите быстро повторить ролик.
☁ ПРОДВИНУТЫЙ ВАРИАНТ Дополнительная генерация общего плана. Кадр получается красивее и стабильнее.
Вариант 1. Простой способ
Настройки
Настройки для обеих генераций простого варианта
Первая генерация
ПРОМПТ
💬 МОЖНО КОПИРОВАТЬ Выделите весь текст ниже, вставьте его в Seedance и проверьте теги @image.
Ultra-photorealistic live-action footage captured on an early-2000s handheld camcorder inside a real underwater housing. Authentic underwater optics, subtle sensor noise, suspended particles, natural bubbles and sunlight. No CGI. No animation.
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@image1 — Male character. Match identity, face, hairstyle, body proportions and clothing exactly.
@image2 — Female character. Match identity, face, hairstyle, body proportions and clothing exactly.
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The bright surface remains far above.
The characters occupy only a small part of the frame.
Large areas of open water remain visible around them.
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The sequence begins already underwater.
The male drops backward into the water first.
His back faces downward as he continues sinking.
The female enters a moment later feet first.
She remains higher in the water than the male throughout the shot.
The male remains lower than the female.
The male stays on the right side of the frame.
The female stays on the left side.
Never swap their screen positions.
The female appears briefly disoriented after entering the water.
The male quickly regains orientation and immediately looks toward her with concern.
Large bubbles rise naturally toward the surface.
The male has stabilized and is preparing to swim toward the female.
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The action continues seamlessly.
The male urgently swims toward the female.
He performs several strong underwater swimming strokes.
He steadily closes the distance during almost the entire shot.
The female is only beginning to recover her orientation.
She is still drifting naturally.
The male reaches her only near the end of the shot.
The male remains lower than the female.
The male stays on the right side.
The female stays on the left side.
The male has almost reached the female.
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The action continues immediately from Shot 2.
The male finishes swimming the last short distance and arrives beside the female.
Her eyes gradually widen with surprise.
She slowly raises one arm and points downward outside the frame.
The male first notices her facial expression.
His expression changes from concern to alarm.
End immediately after he finishes turning his head.
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Behaves like a diver holding a small consumer camcorder.
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Hair and clothing move naturally.
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Brightness decreases with depth.
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Looks like genuine underwater camcorder footage.
Вторая генерация
ПРОМПТ
💬 МОЖНО КОПИРОВАТЬ Выделите весь текст ниже, вставьте его в Seedance и проверьте теги @image.
Ultra-photorealistic live-action underwater footage captured on an early-2000s consumer camcorder inside a waterproof housing.
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Match identity, face, body proportions and clothing exactly.
Match identity, face, body proportions and clothing exactly.
@image3 — Creature appearance inspiration.
Use this reference only as design inspiration.
Preserve the overall anatomy, proportions and recognizable silhouette.
Do not reproduce the exact surface details.
Create a new ultra-photorealistic marine predator with natural biological textures.
It must look like a real deep-sea animal captured by a camera, not like a CGI creature.
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The humans always remain side by side.
The distance between them never changes.
They always move as a single pair.
The humans continuously make subtle natural swimming movements to maintain neutral buoyancy.
They never appear frozen or motionless.
They do not travel through the water.
The creature always remains far below the humans.
The creature is vastly larger than the humans.
The size relationship never changes.
The creature is always partially hidden by depth haze, suspended particles and underwater light absorption.
Its features are never perfectly sharp.
Large areas of empty open water dominate every shot.
The humans remain the primary subject.
The creature is never presented as a hero shot or portrait.
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The camera remains completely static during every shot.
Only natural underwater micro-shake.
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Real underwater light absorption.
Visibility naturally decreases with depth.
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Looks like genuine underwater footage.
The creature must look biologically believable.
Its skin has natural imperfections, subtle asymmetry and realistic organic textures.
Avoid the appearance of CGI, concept art or digital creature rendering.
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Extreme long establishing shot.
The camera is extremely far from the humans.
The humans appear as tiny distant silhouettes, barely larger than specks against the bright surface.
They serve only as a scale reference for the creature.
The creature is already fully present before the shot begins.
Its enormous head is fully visible in profile.
It occupies the lower-right area of the frame.
The head does not enter the frame.
The creature silently watches the humans.
Most of the head is visible, but depth haze, suspended particles and underwater light absorption soften its details.
The full head is never perfectly sharp.
The rest of the body disappears into the abyss beyond the frame.
The humans gently maintain position with small corrective swimming movements.
They do not travel forward or backward.
The creature remains perfectly still.
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The camera is several meters below the humans looking upward.
Only the two humans are visible.
No creature appears in the frame.
The camera is completely locked-off.
The camera does not drift, pan, tilt, rotate or translate.
The humans remain shoulder-to-shoulder throughout the shot.
The distance between them never changes.
They move together as a single pair.
Their faces are faintly recognizable but still distant.
They continuously make subtle natural swimming movements to maintain neutral buoyancy and hold position.
They do not travel forward or backward.
The humans occupy only a small area near the upper part of the frame.
The remaining frame is empty open ocean.
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The humans occupy the upper-left portion of the frame.
The creature is already present before the shot begins.
The creature faces almost directly toward the camera.
Its gaze reaches both the humans and the viewer.
Its enormous head dominates the entire right side of the frame.
The humans appear smaller than the creature’s mouth.
Large portions of the head extend beyond the frame edges.
The camera cannot capture the entire head.
The creature is more frontal than in Shot 1, but it is still not a portrait.
The creature never changes its orientation.
Its only movement is an almost imperceptible backward translation deeper into the abyss while maintaining exactly the same orientation.
Depth haze gradually obscures the creature.
Very subtle blue bioluminescent speckles are visible across parts of its scales.
It never illuminates the surrounding water.
Eventually only a faint silhouette remains before disappearing into darkness.
The humans continue making subtle corrective swimming movements while watching the creature disappear.
Вариант 2. Продвинутый способ
Для тех, кто хочет получить более красивый и стабильный кадр с общим планом.
Настройки отдельного общего плана
Отдельная генерация общего плана
· @image4 — композиционный референс
Композиционный референс для отдельного общего плана
ПРОМПТ
💬 МОЖНО КОПИРОВАТЬ Выделите весь текст ниже, вставьте его в Seedance и проверьте теги @image.
@image1 — Male appearance reference only.
The male is extremely far from the camera.
Do not preserve facial detail.
His face is naturally unreadable because of the extreme distance.
@image2 — Female appearance reference only.
The female is extremely far from the camera.
Do not preserve facial detail.
Her face is naturally unreadable because of the extreme distance.
@image3 — Creature appearance reference only.
Do not copy background or composition.
@image4 — Scene layout reference only.
Treat @image4 as a blocking diagram.
The two people must remain exactly as small as shown in the upper-left corner of @image4.
Their combined size must match the size shown in @image4.
Maintaining their size is more important than preserving facial details.
Generate a continuous 4-second ultra-photorealistic live-action underwater shot.
The two people are suspended just beneath the ocean surface in the upper-left corner of the frame.
The female remains on the left.
The male remains on the right.
They remain extremely tiny during the entire shot.
Their bodies occupy less than 2% of the entire frame.
Most viewers should not be able to recognize facial features because of the distance.
The two people stay very close together.
They slowly drift with gentle natural underwater movement.
They remain approximately in the same position throughout the shot.
The enormous creature remains deep in the abyss in the lower-right corner.
Its appearance must match @image3.
The creature is almost completely hidden by darkness.
It should feel like part of the abyss itself.
Only its gigantic silhouette is visible.
Only a faint outline of its head can be distinguished.
Only an extremely subtle blue bioluminescent glow is visible.
Almost no sunlight reaches the creature.
Only a few weak scattered rays softly touch tiny parts of its body.
The creature is never fully revealed.
It remains almost perfectly motionless.
Only extremely subtle breathing and tiny natural underwater movement reveal that it is alive.
Generate a completely new underwater environment.
Physically accurate underwater lighting.
The frame consists mostly of empty open water.
The enormous empty space between the two people and the creature emphasizes the immense difference in scale.
Authentic documentary footage.
Early-2000s consumer camcorder inside an underwater housing.
Монтаж
Простой вариант
2. Сразу после неё ставим вторую генерацию.
3. Обрезаем лишние хвосты и неудачные переходы.
Продвинутый вариант
2. В начале второй генерации заменяем первый общий план на отдельную 4-секундную Pro-генерацию.
3. После общего плана оставляем второй и третий кадры из второй генерации.