ECOIST // ART EXHIBITION
The exhibition is a multi-layered exploration of modern human nature and its interaction with the world around us. Each work is made from recycled plastic collected from the beaches of Phuket, giving the art a deeply ecological and philosophical subtext.
Themes of inner search, struggle, identity and connection with nature are intertwined with visual richness and symbolism. From mythical images to vibrant collages of the metropolis, from questions of loyalty and transformation to the multifaceted nature of the soul, these paintings reveal the complexity of the human experience.
This exhibition not only tells stories, but also makes us think about our responsibility for the world around us and our ability to find beauty even in the most unexpected places, reminding us that harmony can be created out of chaos.
You can purchase each painting as your own, thereby making a contribution to preserving the planet's resources and ecology. We deliver worldwide
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EXPO - SOURCE
Today 19.02.25 we are exhibiting at an event in honor of a friend's birthday and just a good person.
The "Istok" exhibit is not just an exhibit, but a symbol of rebirth, renewal and new beginnings. Each work is created from recycled materials, once lost and forgotten in the ocean, but now having acquired a new form and meaning.
The exhibit is prepared for the day of the appearance of a big heart from the sunniest Georgia. Respect for origins - for its roots, history and nature - plays a huge role in Georgian culture. This exhibit echoes this idea: how beauty is born from chaos, how something new appears from the forgotten, how inspiration for the future comes from the past.
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Each work is presented in an exclusive copy and is available for purchase in your collection, we deliver worldwide // to order, write - @webad777
below is a description of the exhibit SOURCE:
This work reflects the duality of perception of a black cat: in some cultures it is associated with misfortune, in others - with magic and secret knowledge. Despite myths and prejudices, the cat is a symbol of freedom, independence and deep understanding of the world. He looks straight ahead, as if he knows the secret of harmony and peace.
The background of the painting is chaos and beauty, a mosaic of memories and elements of nature, created from recycled materials. Floral motifs and bright accents intertwine with abstract lines, creating a sense of connection between the natural and the man-made.
This work is not just an art object, but a manifesto of environmental awareness. It shows that something valuable and inspiring can be created from what has been forgotten and thrown away. “Kata” reminds us that freedom is the choice to see beauty in any circumstances.
size - 120x80
price - 23333 THB
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Color embodiment of sounds, words and gossip in space
Sound is a vibration, energy, impulse that passes through us, connecting worlds and creating meanings. But not all sounds are pure. Some of them are distorted, turning into a whisper behind your back, halftones, guesses and rumors.
The painting “Hearing” explores how sound is perceived visually, how it becomes part of the surrounding space and penetrates our consciousness. The main character is a conductor between the audible and the invisible, he catches every vibration around, but in his gaze there is a riddle: what does he really hear, and what is just fiction?
Glasses with deep blue lenses hide his eyes, as if protecting him from the influence of the outside world, from unnecessary words, other people's opinions, gossip that intertwine with the truth, turning into chaos. The bright colors of the composition convey this noise flow:
• Yellow — sharp, loud phrases that cannot be missed.
• Red — the fire of emotions, flashes of anger, passion and conflict.
• Blue — cold, hidden words, not spoken to the face.
• Black and white elements — pauses, silence before the storm, halftones of understatement.
The figures and symbols around the hero hint at the involuntary transfer of information — an accidentally dropped word, gossip, other people's interpretations that grow into an avalanche of rumors.
This work is a reminder that sound can be different. Some words inspire, others destroy. It is important not only to hear, but also to realize what meaning the sounds that penetrate our lives carry.
size - 120x80 price - 25555 THB
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The myth of love, transformation and actions for its sake
Love is the greatest force, capable of performing miracles and destroying worlds. The painting “Medea” refers us to the ancient Greek myth of a woman whose passion and devotion turned into tragedy.
The two faces on the canvas are two sides of Medea, her transformation from a loving wife into a fatal figure of revenge. On the one hand, there is beauty, feeling, expectation, on the other, disappointment, pain, transformation. Their lips are parted, as if between them there are not words, but fateful decisions that change them.
The colors in the painting convey an emotional storm:
• Red — blood, sacrifice, irreversibility of what has been done.
• Yellow — the energy of change, fire devouring the past.
• Black and white — the duality of the soul, the struggle of feelings.
The ornaments and details in the center of the painting resemble the weaves of fate in which the heroine is entangled. Organic forms, roots, pieces of reality come out of her mouth, as if she is dissolving in her own emotions.
This painting is a reflection on the boundaries of love and pain, on what we are ready to do for love and how it changes us. This is a story of passion, devotion and destruction, told through images, color and symbolism.
size - 120x80
price - 27777 THB
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The superpower of a musical person
Some hear music. Others see it.
“Synesthesia” is a film about the rare gift of perceiving sound through color, form, and sensation. It is an interweaving of feelings, when a melody gives birth to flashes of color, and the rhythm is felt tactilely, as if passing through the skin.
The hero’s face is divided into spectra of perception:
• Blue — the depth of low notes, calm, space.
• Yellow and red — the energy of rhythm, sharp accents, impulses.
• Black — pauses, silence, mystery between sounds.
The character’s eyes are mirrors of two worlds: reality and inner perception. One half looks into the familiar world, the other — into the musical flow, where there are no boundaries between sound and color.
A hand with tattooed eyes is a symbol of hypersensitivity, the ability to feel music not only with the ears, but with the whole body. Music becomes visible, alive, tangible.
This work is a visual interpretation of hypersensitivity, the magic of perception, in which the world turns into a symphony of colors and rhythms.
size - 120x80
price - 34222 THB
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Choice between love and harmony or material vanity
What is happiness? For some, it is love, harmony, inner peace, for others, success, material achievements, status. In the center of the painting is a figure in a prayer pose, dividing the plot into two paths, two poles of human aspiration.
Two faces of happiness:
• On the left is happiness in love and harmony. Here are soft lines, warm colors, flowing forms. This is a world where value is in relationships, in awareness, in the simplicity and beauty of life. Here people find joy in the present moment, in closeness with those they love.
• On the right is material vanity, success, ambition. Sharp forms, harsh colors, movement. This world is full of brilliance, achievements, recognition, but it also carries tension, running in an endless race for more.
The figure in the center does not make a choice. She is frozen in prayer, in reflection. This image is about finding a balance between two types of happiness, about trying to connect the spiritual with the material.
The colors of the painting contrast, but smoothly flow into each other, showing that both paths are part of one life. The only question is where everyone will find their truth.
This work is not just a prayer for happiness, but an invitation to think: what exactly do we want and which path leads to true satisfaction?
size - 120x80
price - 28888 THB
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We all came out of the water, but could we understand what it led to?
We were once one with the ocean. We are mammals that got out on land, but did not lose our connection with water. Just as a fish does not realize the uniqueness of man, so man still does not fully understand the value of the ocean, the ecosystem, life in its deep and complex interweaving.
Sirens in myths are creatures between worlds, pulling man back into the sea. They are the voice of nature that we ignore. Their singing calls us not to death, but to awareness: maybe it was a mistake to go out on land? Maybe only under water will we again become one with the planet?
Semantic layers of the picture:
• Water as a source - we all came from it, but we move further and further away, destroying what gave us life.
• Man and the ocean are two entities that cannot yet fully understand each other, but depend on each other.
• Ecological blindness - just as a fish does not realize the differences between people, man has not yet fully realized that his existence depends on the fragile ecosystem of the ocean.
Maybe when we dive underwater again, when we return to our roots and begin to live in harmony with nature, and not against it, we will find a true connection with the planet? Maybe sirens are our conscience, our unheard voice of reason?
size - 120x80
price - 30,000 THB
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Three timelines in faces: past, present and future
In ancient Greek mythology, the Moirai are the goddesses of fate who spin the thread of human life. They determine where we came from, where we are now and where we are going. This painting is a metaphor for time, where the three faces symbolize the past, present and future, reflecting the changes not only of the individual, but of the entire society.
Made from recycled plastic, this work embodies the new awareness of humanity, our ability to reinvent ourselves, give forgotten things a second life and handle resources wisely.
Three timelines:
• The past is chaos, mistakes, the legacy of the past that has shaped us. It is permeated with nostalgia, but also carries the burden of uncontrolled consumption, indifference to the world around us.
• The present is the moment of choice. This is self-awareness, the balance between the wise use of resources and the desire to move forward.
• The future is a clean slate, but not empty. This is a society where recycling, awareness and rationality have become the basis of existence.
The colors on the canvas flow into each other, as does time, forming a single flow of changes. Three faces look in different directions, but are connected, reminding that the past is inseparable from the future, and the present is the point of decision-making.
This work is not only about individual destiny, but also about the destiny of the planet. It reminds us: what tomorrow will be like depends on today's conscious choice.
size - 120x80
price - 32222 THB
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The myth of forgiveness, rebirth and the endless flow of life
Eikturnir is a mythical deer standing on the roof of Valhalla and feeding on the leaves of Yggdrasil, the world tree. Water drips from his antlers, giving life to all the rivers. He is a symbol of the eternal cycle, the connection between nature and the universe.
But what if this flow dries up one day? What if man exhausts the resources given to him by nature?
This work is a reflection on forgiveness. Despite destruction, pollution, ignorance, nature still gives us a chance for rebirth. The waters of the rivers flow, which means the world can still be healed.
Images and symbols of the painting:
• The deer as the spirit of nature - he observes, does not judge, but his existence depends on the balance of the world.
• The water flowing from the antlers is the source of life, which can either continue or disappear.
• Yggdrasil as an ecosystem is the tree of the world, the roots of which connect all living beings, and man is only a part of this system.
Can nature forgive man? Perhaps. But the question is, have we deserved this forgiveness? As long as the rivers flow, there is a chance. But what will happen if the last drop falls?
size - 120x80
price - 33000 THB
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The painting “Search” is a visual odyssey that takes the viewer through the complex labyrinth of human consciousness and inner search. The central face, in shades of blue, red and white, reflects a mixture of emotions, cultures and identities. This face is simultaneously empty and full, as if ready to accommodate all the chaos of the world around us.
On the left, the tiger with a piercing gaze symbolizes strength and intuition. Its presence is a reminder of the animal instincts that always live within us, guiding our search and protecting us from chaos. The tiger, like a guard, looks directly into the soul of the viewer, inviting them to an honest look at themselves.
On the right, the cat with an enigmatic expression is a symbol of independence, playfulness and magic. She acts as a contrast to the tiger, emphasizing the more subtle and hidden aspects of the search: the surprises that appear when we deviate from the straight path.
The bright shades of yellow and pink in the background of the painting create energy and tension. They represent the conflict between the desire for harmony and the inevitable chaos of life. Collage elements - symbols, texts and images - complement the semantic layered narrative of the painting, each of them hinting at a separate story, a fragment of a memory or a dream.
The use of recycled plastic makes “Search” a metaphor for self-reflection in the modern world. This material, once considered waste, here finds a new life, just as we rethink our goals and values in the process of searching.
The painting suggests that the search is not a line leading to an answer, but an endless circle: we search not only outside, but also inside ourselves, facing new challenges and discoveries.
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ETERNAL LOVE
This painting is a manifesto of the contradictory nature of love, contained in the texture of salvaged and revived material. The canvas, created from recycled plastic, bears traces of travel, time and random human stories. Once thrown into the ocean, pieces of civilization that became garbage have now acquired a new meaning - as a reminder of the ability of love to heal, transform and inspire.
The visual image of the painting combines the chaos of life and the clarity of feelings. The red heart - as a primordial symbol of love - is born from an abstract background that reflects emotions, symbols and faces of the past. The human figure in black and white is an allusion to our duality: love brings both light and shadow, connecting reality and dreams.
Looking at this work, you can think about many things: the trace we leave in the world, the nature of relationships and how chaos can be turned into art. The painting becomes a symbol of hope that even what seemed lost can find new life – be it plastic on the beaches or our own feelings.
Whoever buys a painting on 14.02 will get a photo shoot with the painting as a gift+
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TRINITY
“Trinity” is a visual poem about human nature, split and united by three main aspects: body, mind and soul. The painting presents three faces, each of which is not just a portrait, but a metaphor for the internal dialogue that takes place inside each of us.
The left face, done in monochrome tones with graphic lines, symbolizes the material beginning. This is the body that bears the imprints of time, memory and lived experience. The shadows and lines that cross this face speak of the complexity and vulnerability of physical existence. Its calm, thoughtful gaze reminds us that all our stories are recorded in the body.
The central face, filled with bright colors and abstract patterns, personifies the soul. This face looks directly at the viewer with a slight smile, as if inviting him to deep self-knowledge. Its bright elements remind us of the beauty of emotions that fill our inner self. The soul is depicted here as an open book, ready to absorb the world around it.
The right face, drawn with bold lines and rich colors, is the mind. Its sharp features, brightly highlighted eyes and teeth convey the dynamics of thought and intellectual search. This is the aspect that analyzes, reasons and strives to fit into the chaos of the surrounding world. The graphic elements around it speak of the influence of culture, information and technology on our minds.
The background of the painting is filled with a kaleidoscope of symbols, texts and collage elements, which creates a sense of the cultural and information field through which each person passes. The use of recycled plastic as a material again emphasizes that we are made up of layers: past, present and future, constantly processing and rethinking ourselves.
“Trinity” makes us think about the harmony and conflicts between our body, soul and mind. This work invites the viewer not only to see, but also to feel himself as a whole being, consisting of many facets, each of which is important and unique.
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MEDUSA GORGON
This painting is a modern interpretation of an ancient myth, brought to life through a vivid collage of symbols and images. “Medusa Gorgon” represents not only a mythical monster, but also a multifaceted metaphor for feminine power, mystery and, at the same time, the fear that this power can cause in society.
The central face with large, piercing eyes evokes mixed feelings - it attracts and disturbs. Her expression is not anger or threat, but quiet understanding. This is the face of Medusa, who does not look at her enemies, but at herself, immersed in reflections on her role in history, where she has always been both a victim and a monster.
The snakes that wrap around the faces and flow through the composition symbolize not only danger, but also wisdom. Their smooth lines seem to flow between reality and a dream, connecting the past with the present. One of the snakes, executed in bright orange and green tones, recalls instincts that cannot be avoided.
The background of the painting, painted in bright reds and yellows, evokes a feeling of heat and anxiety. This landscape, reminiscent of a scorching desert or even an internal struggle, serves as the setting for the drama of the myth. The faces surrounding Medusa are images of her past, the people she turned to stone, or perhaps those who tried to petrify her.
The recycled plastic used in the creation of the painting again evokes transformation. Just as myths are recycled and adapted to new eras, waste becomes art. “Medusa Gorgon” challenges the viewer to face their fears and prejudices, realizing that strength and weakness are always intertwined in one being.
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GO OUT TO THE BALCONY
This painting invites the viewer to the border between the inner and outer worlds, where chaos and order meet in a multi-layered kaleidoscope of emotions and symbols. “Go Out to the Balcony” is a metaphor for gaining a new perspective, when you step back from the usual bustle and see the world from a different perspective.
The yellow cat with large eyes split into multi-colored segments is the central figure of the painting. His face symbolizes the multiplicity of perception. He looks at the world through many “lenses” at the same time - like an artist who recycles the waste of civilization, creating new art. These eyes are an invitation to think about how many layers of reality we miss.
Nearby, a red creature with spikes and a wild look seems to embody the intuitive side of consciousness, instinctive and unbridled. Their duet is a dialogue between awareness and chaos, between the civilized world and natural wildness, which merge in each of us.
The background of the painting is saturated with spots and drops of paint, like imprints of emotions and events. There is no linear plot here - each fragment tells its own story, each detail asks to be noticed. The walls of the houses, presented in the form of geometric figures, are distorted, like our memories, while we stand on the “balcony” of life, looking back.
The use of recycled plastic adds a layer of philosophy: the material that was once abandoned and forgotten has now become the basis for understanding. “Go to the Balcony” reminds that sometimes you just need to stop, step aside and look at the familiar through the eyes of an artist - eyes that see beauty in chaos.
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SEUL
This painting is an explosive collage of modernity, referring to the urban rhythm of the metropolis, where history, culture and the chaos of the information age collide with each other. “Seoul” is not just an image of the city, it is a metaphor for a pulsating life that never stops.
The fragmentation of the elements reflects the complexity of urban reality. The central figures, a man in a suit and a woman with a microphone, are archetypes of the modern metropolis. They simultaneously symbolize strength and vulnerability, carrying within themselves the contradictions of urban life: the struggle for success, media coverage, an accelerated rhythm, where a person becomes part of a huge system.
The red inscriptions, as if screaming from the chaos of posters and newspaper clippings, symbolize the voice of the city that never stops. They express protest, challenge, advertising slogans or thoughts that are lost in the flow of mass culture. This is the language of the streets, advertising and propaganda that fills the urban environment.
The black dog, with its cunning gaze and wary posture, acts as a guardian or observer. Its presence highlights the duality of the metropolis: it beckons and repels, promises freedom and imposes restrictions. This creature, always on guard, observes how we live in a world where reality is constantly blurring.
The recycled plastic at the heart of the painting turns it into a metaphor for sustainability and transformation. Just as plastic is purified and reimagined, the modern city is forced to rethink its foundations, preserving its roots but adapting to new challenges. “Seoul” is a call to look deeper into the chaos we take for granted and to realize that it is full of hidden meanings and layers ready to be revealed to the attentive observer.
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REPTILOID
This work seems to scream from the pulsating chaos of modern society, simultaneously hypnotizing and frightening. “Reptiloid” combines vivid visual symbols, creating a multi-layered canvas, where each element reflects fragments of collective anxiety, cornered by an eccentric consumer culture.
The main figure of the reptiloid with a green face and human features causes dissonance. This creature seems to be a hybrid: the embodiment of our fears of the alien, the unknown, of the loss of human identity in the era of information noise. His red eyes look through the viewer, forcing one to wonder: who is the true observer here?
The black cat with dilated pupils symbolizes chaos and mysticism, at the same time referring to ancient symbols of omens. In his gaze, one can see a reflection of the absurdity of our world, where signs and symbols lose their original meanings, turning into visual noise.
A collage of bright yellow and red elements is a stream of unstructured information that has fallen on us from the screen. Chinese characters, photographs and abstract spots are images, like discarded plastic on a Phuket beach, which the artist has reworked into a new reality.
The painting provokes the viewer to think about the nature of the reptilians as a metaphor. Perhaps it is ourselves, hidden under the masks of alien images, or our fears, embodied in plastic, which has already become part of our lives. “Reptiloid” raises questions not only about globalization and the ecological crisis, but also about how humanity adapts to its own inventions, remaining a prisoner of the systems it has created.
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BLOGERS
This painting is an ironic portrait of a modern digital being - a blogger, whose body is assembled from disparate fragments, like our identity in the age of social media. Working with recycled plastic collected on the beaches of Phuket, the artist literally brings waste back to life, turning it into a metaphor for the post-human world.
The form of the creature resembles an insect - a symbol of collective consciousness, labor and interaction. Black and white patterns on the body seem to reflect the chaos of information, where each line and texture is a separate story, post or comment. The blue head stands out like a screen that attracts attention. It is simultaneously soulless and bright, like an avatar that we show to the world.
The metal element in the mouth of the creature hints at the instrumental nature of the blogger - it not only consumes, but also processes information, reproducing it in new forms. This constant movement between creativity and loss of authenticity is emphasized by the material of the painting - plastic, which was once something else, now becomes art.
The painting asks the question: who are we in this digital world? Creators or recyclers? Free creators or victims of algorithms? It makes you think about how much you can learn about a person by looking at their traces - be it plastic on the beach or a digital footprint on the Internet.