Как сделать видео, "Богатый, но одинокий".
Нужен аккаунт в Syntx.ai (https://syntx.ai/welcome/mEQ2WKuT)
*Подписка PRO и выше.
Нейросети: Gpt Image 2 или Grok Imagine 2.0 для фото, Seedance 2.5 для видео.
Нужно: фото парня и фото девушки.
1.Создаем карты персонажей (2 шт).
Отправляем фото человека в Раздел ИЗОБРАЖЕНИЯ - Gpt Image 2 или Grok Imagine 2.0 - Соотношение сторон 16:9 - Качество 2к:
Take the person's appearance from the uploaded photos and create a character reference sheet, divided into three vertical panels on a neutral white or light-gray background.
A close-up portrait of the person's face, cropped at the shoulders (bust shot). Face front-facing, looking directly at the camera, neutral expression, natural even lighting. Preserve all facial features and details as accurately as possible: eye shape, nose, lips, eyebrows, face shape, eye color, skin tone and texture, hair shape and color, as well as any unique features (moles, freckles, ear shape). High detail, realism, portrait quality.
LEFT PANEL (back view, full body):
The person standing at full height, front view, in their everyday clothing, arms along the body, feet shoulder-width apart. IMPORTANT: the head and face are completely absent — the figure is cropped at the neck/shoulder line, no head. Only the figure from the neck down is shown. Preserve body build, proportions, and clothing.
MIDDLE PANEL (front view, full body):
The same person, back view, in the same clothing, at full height, including the head and hair (viewed from behind). Preserve the hairstyle, body build, and clothing details.
Unified style, consistent lighting and figure scale across all panels, consistency of appearance and clothing between panels. Clean background, clear vertical dividers between panels. Realistic photographic style, high resolution.
2.Создаем видео.
Переходим в Раздел Видео - Выбираем Seedance 2.5 - Режим Omni Reference - Качество 480p (если мажоры, то 720р или 1080р) - Соотношение сторон 16:9 - Длительность 11 сек. Загружаем КАРТЫ ПЕРСОНАЖЕЙ (парень + девушка). После вставляем промпт и вручную удаляем все "@image1", "@image2", и заново их прописываем (когда будете вводить "@" там можно будет выбрать нужный файл), так они привяжутся к промпту:
@image1 defines the MAN. From @image1 take ONLY his appearance: face, hairstyle, hair color, skin tone, facial features, and body proportions. His clothing and accessories are NOT taken from the reference — they are specified below and change between scenes.
@image2 defines the WOMAN. From @image2 take her COMPLETE appearance: face, hairstyle, hair color, skin tone, gender, body proportions, her exact clothing, and her full overall look. Do not change or redesign anything from @image2.
An 11-second vertical 9:16 cinematic short film about a wealthy but lonely man who remembers the happiness of his past. The film alternates in hard cuts between two cars: a luxurious Rolls-Royce where the man is rich, well-dressed, and heartbroken, and an old cheap car where he and his girlfriend were happy together. No dialogue.
THE CAMERA — CRITICAL, NEVER CHANGES
The camera is mounted on the car's hood, facing BACKWARD through the windshield into the cabin, looking straight inside. It is a medium shot framing the interior. The camera stays in the EXACT SAME position, angle, and framing in EVERY shot of the video — both in the Rolls-Royce and in the old car. The camera does NOT move, does NOT zoom, does NOT shake, does NOT pan. It is completely locked. The passenger seat is on the LEFT side of the frame, the driver's seat is on the RIGHT side of the frame (left-hand drive car). Only the CONTENT inside the car changes between cuts.
SCENE A — THE ROLLS-ROYCE (PRESENT DAY)
Vehicle: a Rolls-Royce luxury sedan interior. Black leather seats with orange stitching and trim, polished wood dashboard, the RR logo on the headrests, and a starlight ceiling (fiber-optic stars in the roof) clearly visible. Night outside, city lights and streetlamps passing in the background through the rear window. Cold, dark, moody colour grading — deep shadows, cool blue-black tones, muted highlights.
The man (from @image1) is driving, seated on the RIGHT side of the frame. His outfit: an impeccable black tailored suit, black dress shirt buttoned to the neck, black tie, gold luxury wristwatch on his left wrist, and a gold ring on his finger. Slicked-back neat hair. EXPENSIVE, SHARP, POWERFUL — the look of a man who has everything.
The passenger seat (LEFT of frame) is EMPTY.
His emotional state: profound loneliness, heartbreak, quiet despair. He is NOT calm — he is breaking down internally.
SCENE B — THE OLD CAR (MEMORY)
Vehicle: an old cheap 1990s budget sedan interior (like a Renault Logan or similar) — plain grey fabric seats, cracked plastic dashboard, worn steering wheel, no luxury details. Daytime, golden hour — warm low sunlight filling the cabin, soft pastel tones, nostalgic and dreamy colour grading. The whole scene glows warm and happy.
The man (from @image1) is driving, seated on the RIGHT side of the frame. His outfit: a plain black sweatshirt or hoodie — simple, casual, ordinary. Relaxed, natural, no watch or ring visible. He looks YOUNGER in spirit, joyful, laughing.
The woman (from @image2) sits in the passenger seat on the LEFT side of the frame. Her appearance and clothing are taken 100% from @image2 without any changes.
Her emotional state: pure joy, energy, love. She is the heart of this memory.
TIMELINE — 11 SECONDS, 9 HARD CUTS, ALTERNATING
Each cut is a HARD CUT (instant, no transition, no fade, no dissolve). The camera stays identical in every shot — only the environment, lighting, clothing, and action change. This fast alternation between "rich and miserable" and "poor and happy" is the entire point of the film.
[00:00 – 00:01] SCENE A — ROLLS-ROYCE
Night, luxury cabin, starlight ceiling. The man drives with one hand on the wheel, dressed in his black suit. He is crying silently — his face is tight with pain, jaw clenched. He brings his hand up to cover his mouth, trying to hold back sobs. Tears on his cheeks. The empty passenger seat beside him.
Audio: quiet luxury car interior hum, soft engine, faint city ambience outside, the man's shaky breathing.
[00:01 – 00:02] SCENE B — OLD CAR
Hard cut. Warm golden daylight, plain grey interior of the old car. The woman (from @image2) is in the passenger seat, singing and dancing energetically in her seat — she bounces to the music, mouth open singing, big genuine smile, hair moving. The man drives, laughing, glancing at her with pure love. Two happy people in an ordinary car.
Audio: warm engine sound, the woman's happy laughter and singing.
[00:02 – 00:03] SCENE A — ROLLS-ROYCE
Hard cut. Back to night, luxury, cold. The man is now CRYING HARD — his face twisted in grief, mouth open in a silent, agonized shout of pain, eyes squeezed shut for a moment, then open and wet. One hand still on the wheel. Complete inner devastation. The empty seat beside him says everything.
Audio: muffled interior hum, his broken breathing, a low sob.
[00:03 – 00:04] SCENE B — OLD CAR
Hard cut. Warm day. The woman turns to look at the man, still singing to him — she sings directly AT him, smiling, teasing, joyful, eyes on his face. He glances back at her and grins. Connected, in love, easy.
Audio: her singing, warm engine, laughter.
[00:04 – 00:05] SCENE A — ROLLS-ROYCE
Hard cut. Night, luxury. The man grabs fat stacks of cash (rubber-banded bundles of banknotes) and THROWS them onto the empty passenger seat — one after another, angrily, desperate. Money means nothing in that empty seat. His face is anguished and confused, as if asking himself why he has all this and nothing that matters.
Audio: the slap and flutter of banknote bundles landing on leather, his tight breathing.
[00:05 – 00:07] SCENE B — OLD CAR
Hard cut. Warm day, golden light. The longest memory beat. Both the woman and the man are laughing uncontrollably together — real, messy, joyful laughter. She throws her head back laughing, reaches over and playfully grabs his arm or shoulder. He laughs with his whole face, glancing between the road and her. They are goofing around, completely happy, completely careless, completely together. This is the emotional peak of the memory.
Audio: their overlapping laughter, the warm rumble of the old engine, the joyful chaos of two people having fun.
[00:07 – 00:08] SCENE A — ROLLS-ROYCE
Hard cut. Night, luxury. The man points with an outstretched arm at the pile of money now sitting on the empty passenger seat — his face broken, almost accusing, as if the money itself is the problem. Tears still on his face. His mouth moves silently as if he's saying something bitter he can't voice.
Audio: quiet interior, his ragged breathing, distant city sound.
[00:08 – 00:09] SCENE B — OLD CAR
Hard cut. Warm day. The woman lifts the man's hand off the steering wheel and gently, tenderly KISSES his hand — soft, loving, intimate. She looks up at him with adoration. He looks at her softly, touched, a warm smile on his face, one hand still on the wheel. A quiet, gentle, loving moment — the counterpoint to all his present-day rage.
Audio: very quiet — soft engine, faint breath, an almost silent tender moment.
[00:09 – 00:11] SCENE A — ROLLS-ROYCE (FINAL)
Hard cut. Night, luxury, cold. The man slowly lowers his hand from his face after wiping away a tear. He grips the steering wheel with both hands. His breathing slowly steadies. He stares forward at the night road through the windshield — eyes empty, hollow, absent, lost in the memory he cannot return to. The starlight ceiling glows softly above him. The empty passenger seat is visible beside him. He drives on alone.
Audio: the low hum of the luxury engine, faint city ambience, one shaky exhale, then quiet as the video ends.
No fade, no cut to black — the video ends on the man's hollow stare at the night road.
GLOBAL CONSTRAINTS AND PRESERVATION
Camera: completely LOCKED and IDENTICAL in every single shot. Same position (on the hood, looking back through the windshield into the cabin), same medium framing, same angle throughout the entire video. The passenger seat is always on the LEFT of frame, the driver always on the RIGHT.
Editing: 9 shots separated by HARD CUTS only — no fades, no dissolves, no smooth transitions, no whip pans. Instant, sharp alternation between Scene A and Scene B.
Clothing: the man wears the BLACK SUIT look (suit, black shirt, tie, gold watch, gold ring) ONLY in the Rolls-Royce scenes, and the PLAIN BLACK SWEATSHIRT look ONLY in the old car scenes. The woman's full appearance and clothing come entirely from @image2 and appear ONLY in the old car.
Face continuity: the man from @image1 must remain clearly recognisable in every shot — same face, same hairstyle. The woman from @image2 must remain clearly recognisable.
Colour grading: Rolls-Royce scenes are cold, dark, night-time — blue-black, moody, desaturated. Old car scenes are warm, golden hour — soft, nostalgic, glowing. This contrast is essential and must be strong.
No dialogue from either character. No speech. No lip-synced words.
No camera movement of any kind — no zoom, no pan, no shake, no push-in.
No fades, dissolves, or smooth transitions — hard cuts only.
No subtitles, no text, no captions.
Do not change the man's face or hairstyle from @image1. Do not change the woman's appearance or clothing from @image2.
Do not put the woman in the Rolls-Royce. She exists ONLY in the old car memory scenes.
Do not show the man happy in the Rolls-Royce — he is lonely and devastated there.
Do not make the old car look luxurious — it must be visibly cheap and old.
Do not fill the passenger seat of the Rolls-Royce — it stays EMPTY.