Промпты для видео "Красивые кадры машины на природе"

Я все делал в Syntx.ai (https://syntx.ai/welcome/mEQ2WKuT) Нейросети: Nano Banana 2 и Kling 3.0 Нужно: фото машины Мой результат ищите в https://t.me/viviannru

Важно! Промпты универсальные, подходят для любой машины
Смотрите скрины, чтобы понимать, куда и какие изображения я отправлял.

1.Подготовил фотки машины:

2.Переходим в раздел Изображение, выбираем нейросеть Nano Banana 2 и делаем кадры для видео:

Keep the car exactly as in the uploaded photo — preserve its exact shape, model, color, wheels, badges, proportions and all details unchanged. Do not alter the car itself in any way.
Change only the scene and photographic treatment:
Place the car on a lush green lawn, parked under the canopy of a large tree, with overhanging leafy branches partially framing the top and left side of the frame. Low camera angle, shot from near ground level, three-quarter front view (camera positioned toward the front-left of the car, looking slightly upward at the hood and grille).
Background: a black wrought-iron metal fence running horizontally behind the car, with neatly trimmed green garden bushes and shrubs along it, tall trees further back, softly out of focus. A blurred hint of a house visible far in the background, heavily defocused.
Lighting: soft, diffused overcast daylight filtering through the tree leaves, creating dappled light patches on the grass and subtle soft highlights on the car's roof and hood. No harsh direct sun, no hard shadows — even, cloudy-day illumination.
Paint finish: the car's body must look freshly polished and deeply glossy, like a mirror — strong, clean reflections of the green foliage, sky, and surrounding scene visible on the hood, doors, and side panels. High-gloss automotive detailing look, wet-look shine, crisp reflection edges.
Ground: green grass lawn in foreground, with scattered dry autumn leaves lying on the grass near the car's wheels.
Overall mood: cinematic, natural color grading, deep saturated greens contrasted against the black car, slight vignette, photorealistic, shot on a professional camera with shallow depth of field (background softly blurred, car in sharp focus).

Keep the car's body, color, and wheel design exactly the same as in the uploaded photo—same paint, same wheel style, same fender shape. Don't change the car model or wheel design.
Change only the camera framing to a close-up of the left headlight from the camera:
Extreme close-up, low camera angle at ground level, focusing on the left headlight in sharp detail.

Keep the car's body, color, and wheel design exactly as in the uploaded photo — same paint, same rim style, same fender shape. Do not change the car model or wheel design itself.
Change only the camera framing to a close-up wheel shot:
Extreme close-up, low camera angle at ground level, focused tightly on the front wheel and fender area of the car. The wheel and tire should fill most of the frame, shot from a low three-quarter angle showing the sidewall of the tire and the face of the rim in sharp detail. Part of the front fender, headlight edge, and lower body panel visible above and behind the wheel, softly out of focus.
Tire detail: show the tire sidewall with visible "PIRELLI" branding text embossed/printed on the sidewall, along with realistic tire tread pattern and sidewall ribbing detail, matte black rubber texture.
Wheel detail: sharp focus on the rim's spoke design, brushed/matte black finish, visible brake caliper and rotor through the spokes, realistic metal texture with subtle reflections.
Background: blurred green grass, scattered dry autumn leaves on the lawn near the tire, out-of-focus trees and a dark wrought-iron fence far in the background, soft bokeh.
Lighting: soft overcast daylight, gentle highlights along the tire sidewall and rim edges, deep glossy reflections on the visible painted body panels above the wheel.
Overall: photorealistic, shallow depth of field with wheel in crisp focus and everything else softly blurred, cinematic natural color grading, automotive detailing photography style.

Keep the car exactly as it is in the uploaded photo — same color, model, wheels, body kit, spoiler, exhaust tips and all details unchanged. Do not alter the car itself.
Change only the camera angle to a rear three-quarter view:
Position the camera behind and to the right of the car, at a low-to-mid height, looking at the car's rear and right side — showing the trunk, spoiler, taillights, rear bumper with diffuser and exhaust tips, and the right side profile receding toward the front of the car. The car should be angled diagonally in frame, rear-right corner closest and most prominent, front of the car fading into the background on the left side of the frame.
Taillights: glowing red, illuminated, sharp reflective detail on the light bar and lens.
Keep the same environment: car parked on a green lawn under a tree canopy with overhanging branches framing the top of the shot, black wrought-iron fence running along the background, trimmed garden bushes, tall trees further back softly blurred. Include a hint of a garden path with small lighting fixtures visible in the background off to the right side.
Lighting: soft, diffused overcast daylight, dappled light through leaves, deep glossy mirror-like reflections on the car's paint, especially visible on the trunk, roof, and rear quarter panel.
Ground: green grass lawn, scattered dry leaves near the wheels.
Overall: photorealistic, three-quarter rear angle, cinematic natural color grading, shallow depth of field with background softly blurred, car in sharp focus, automotive photography style.

Use two reference images:
Reference 1 shows the exterior of the car — its exact color, model and body style, and the outdoor location it is parked in.
Reference 2 shows the interior design and materials of this same car model — use it only as a style reference for the interior's leather color, stitching, trim materials, steering wheel design, and dashboard layout. Do not include any people from reference 2 in the output.
Generate an interior shot of the car from reference 1, using the interior materials and design language shown in reference 2:
Interior materials: rich blue leather upholstery on the seats and door panels, matching blue leather on the dashboard and center console, visible fine stitching detail, exposed carbon fiber trim panels on the door and lower dashboard with a woven carbon texture, polished chrome accents around the steering wheel hub and air vents.
Steering wheel: leather-wrapped with a chrome center hub featuring a metallic emblem badge, subtle blue stitching detail.
Camera angle: close, dynamic interior shot taken from just behind the driver's seat looking forward across the cabin toward the steering wheel and dashboard, steering wheel and part of the carbon fiber door panel prominently in the foreground with soft blur, dashboard and windshield area in sharper focus beyond it. Gear shifter with carbon fiber knob visible in the lower part of the frame.
No people visible in the shot — empty interior only.
Background through the windshield: keep the exterior environment consistent with reference 1 — soft-focus green lawn, black wrought-iron fence, trees, overcast natural daylight.
Lighting: soft, slightly moody interior lighting with natural daylight coming through the windshield, gentle highlights on the leather and chrome surfaces, subtle reflections on the glossy trim.
Overall: photorealistic, cinematic automotive interior photography, shallow depth of field, rich color contrast between deep blue leather and dark carbon fiber, sharp focus on the steering wheel and dashboard, softly blurred foreground and background elements.

Keep the car exactly as it is in the uploaded photo — same color, model, wheels, body kit, spoiler, exhaust tips and all details unchanged. Do not alter the car itself.
Change only the camera angle to a rear-left three-quarter view:
Position the camera behind and to the left of the car, at a low height, looking at the car's rear and left side — showing the full length of the car from the rear bumper, spoiler and taillights through the entire left side profile toward the front. The car should be angled so the rear-left corner is closest to camera, with the body receding diagonally into the frame, entire car fully visible from bumper to bumper.
Taillights: glowing red, illuminated, sharp reflective detail on the light bar and lens.
Keep the same environment: car parked on a green lawn under a tree canopy with overhanging branches framing the top of the shot, black wrought-iron fence running along the background, tall trees further back softly blurred. Include a hint of a dirt/gravel path visible in the background on the right side of the frame.
Lighting: soft, diffused overcast daylight, dappled light through leaves, deep glossy mirror-like reflections on the car's paint, especially visible on the trunk, roof, and side panels.
Ground: green grass lawn, scattered dry leaves near the wheels.
Overall: photorealistic, wide rear-left three-quarter angle showing the whole car, cinematic natural color grading, shallow depth of field with background softly blurred, car in sharp focus, automotive photography style.

3.Переходим в Раздел Видео - Выбираем Kling 3.0 - Режим Image to Video - качество 1080p - Длительность 3 сек. По очереди анимируем полученные кадры:

Extremely slow, subtle handheld camera movement drifting gently to the right, as if a person is walking very slowly while filming on a professional camera. Slight natural handheld micro-shake and gentle vertical bob in rhythm with footsteps, very minimal. Leaves and tree branches above sway gently in a light breeze. The car remains completely stationary and parked the entire time — wheels not rotating, engine off, no movement of the car itself, only the camera moves. Glossy reflections on the car's paint shift subtly and smoothly as the camera drifts. Soft overcast daylight, photorealistic, cinematic, shallow depth of field.

Extremely slow, subtle handheld camera movement, drifting very slightly to the left with a barely noticeable slow push-in (zoom in), as if a person is standing close to the car filming on a professional camera. Gentle natural handheld micro-shake, very minimal, no strong motion. Soft reflections of trees and leaves on the glossy black paint shift slowly and smoothly as the camera moves. The car is completely stationary and parked — no wheels turning, no movement of the car itself, only the camera moves. Background trees and grass softly out of focus, blurred foliage gently swaying in the wind. Photorealistic, cinematic, soft overcast daylight.

Extremely slow, subtle handheld camera movement panning gently to the right, as if a person is slowly walking alongside the car filming on a professional camera. Slight natural handheld micro-shake, minimal vertical bob. The tire and rim stay in sharp focus while the reflections on the fender above shift subtly with the camera's movement. The car is completely stationary and parked the entire time — the wheel and tire do not rotate, engine off, no movement of the car itself, only the camera moves. Background grass and leaves softly blurred, gently swaying in a light breeze. Photorealistic, cinematic, soft natural daylight.

Extremely slow, subtle handheld camera movement drifting gently to the left, as if a person is walking very slowly around the back of the car filming on a professional camera. Gentle natural handheld micro-shake and slight vertical bob, very minimal. Taillights glow steadily red. Leaves and tree branches above sway softly in the wind. The car remains completely stationary and parked the entire time — wheels not rotating, engine off, exhaust not moving, no movement of the car itself, only the camera moves. Glossy reflections on the trunk and rear panels shift slowly and smoothly as the camera drifts. Soft overcast daylight, photorealistic, cinematic, shallow depth of field.

Extremely slow, subtle handheld camera movement, a very gentle slow push-in (zoom in) toward the steering wheel and dashboard, as if a person is holding a professional camera steady but breathing/standing, filming from inside the car. Very slight natural handheld micro-shake, minimal. Soft natural light shifts gently on the leather and chrome surfaces through the windshield. The car is completely stationary and parked — no movement of the car, no vibration from an engine, everything inside the cabin stays still except for the slow camera motion. Outside the windshield, blurred greenery and leaves sway gently in the background. Photorealistic, cinematic, soft overcast daylight.

Extremely slow, subtle handheld camera movement drifting gently to the right, as if a person is walking very slowly around the car filming on a professional camera. Gentle natural handheld micro-shake and slight vertical bob in rhythm with slow footsteps, very minimal motion overall. Taillights glow steadily red. Tree branches and leaves above sway softly in a light breeze. The car remains completely stationary and parked the entire time — wheels not rotating, engine off, no movement of the car itself, only the camera moves. Glossy reflections on the roof and side panels shift slowly and smoothly as the camera drifts. Soft overcast daylight, photorealistic, cinematic, shallow depth of field.

4.Скачиваем ролики, соединяем им в одно видео в монтажной программе, добавляем музыку, эффекты и т.д. При желании, улучшаем качество в разделе Редактор - Topaz AI - Proteus v4:

*Важно! Промпты универсальные, подходят для любой машины *Смотрите скрины, чтобы понимать, куда и какие изображения я отправлял.

1.Подготовил фотки машины:

2.Переходим в раздел Изображение, выбираем нейросеть Nano Banana 2 и делаем кадры для видео:

3.Переходим в Раздел Видео - Выбираем Kling 3.0 - Режим Image to Video - качество 1080p - Длительность 3 сек. По очереди анимируем полученные кадры:

4.Скачиваем ролики, соединяем им в одно видео в монтажной программе, добавляем музыку, эффекты и т.д. При желании, улучшаем качество в разделе Редактор - Topaz AI - Proteus v4:

Важно! Промпты универсальные, подходят для любой машины
Смотрите скрины, чтобы понимать, куда и какие изображения я отправлял.