Вы в роли морского гиганта!

Take the person's appearance from the uploaded photos and create a character reference sheet, divided into three vertical panels on a neutral white or light-gray background.

RIGHT PANEL (close-up):
A close-up portrait of the person's face, cropped at the shoulders (bust shot). Face front-facing, looking directly at the camera, neutral expression, natural even lighting. Preserve all facial features and details as accurately as possible: eye shape, nose, lips, eyebrows, face shape, eye color, skin tone and texture, hair shape and color, as well as any unique features (moles, freckles, ear shape). High detail, realism, portrait quality.

LEFT PANEL (back view, full body):
The person standing at full height, front view, in their everyday clothing, arms along the body, feet shoulder-width apart. IMPORTANT: the head and face are completely absent — the figure is cropped at the neck/shoulder line, no head. Only the figure from the neck down is shown. Preserve body build, proportions, and clothing.

MIDDLE PANEL (front view, full body):
The same person, back view, in the same clothing, at full height, including the head and hair (viewed from behind). Preserve the hairstyle, body build, and clothing details.

GENERAL REQUIREMENTS:
Unified style, consistent lighting and figure scale across all panels, consistency of appearance and clothing between panels. Clean background, clear vertical dividers between panels. Realistic photographic style, high resolution.

[Global Parameters] Duration: 17 seconds. Aspect ratio: 9:16 vertical. One continuous photorealistic action-camera shot. Inputs: THREE CHARACTER REFERENCE IMAGES ONLY. No video reference. PRIORITY ORDER: 1. Strictly transverse camera direction: directly across the vessel, never diagonally. 2. Camera permanently bolted to the hull: boat structures stay fixed in the frame while the sea horizon tilts strongly. 3. Fast diagonal giant breach: head visibly above water by 00:03, sideways landing completed by 00:05.5. 4. Three distinct reference identities, consistent clothing and scale. 5. Natural frightened reactions without eye contact with the lens. [Creatives Description] PERSON_A = the person in @image1. Preserve their apparent age, gender presentation, facial features, hairstyle, skin tone, physique, and EXACT clothing shown in the reference. Normal human scale. PERSON_B = the person in @image2. Preserve their apparent age, gender presentation, facial features, hairstyle, skin tone, physique, and EXACT clothing shown in the reference. Normal human scale. GIANT_C = the person in @image3. Preserve their apparent age, gender presentation, facial features, hairstyle, skin tone, physique, and EXACT clothing shown in the reference. Enlarge the whole person proportionally to approximately twelve times ordinary human height. Their head alone is roughly the height of a normal standing adult. Their clothing is drenched from the beginning. Keep all three identities separate. No transferred facial features, duplicated faces, exchanged garments, or additional people. Do not add swimming goggles or equipment absent from the images. [One-sentence Summary] A camera bolted rigidly to the side of a violently rocking full-size wooden vessel looks directly across its deck at two people chatting, while a colossal human breaches diagonally from the water beyond the opposite side, crashes onto their flank, sends a wave across the deck, and resurfaces to watch the terrified passengers. [Camera and Scene Geometry — Mandatory Throughout] VESSEL: A full-size wooden yacht-style vessel, approximately 11 metres long and 4 metres wide, with a broad walkable deck, substantial hull, and solid wooden bulwarks. No mast, sails, or overhead rigging. Enough deck space for the two passengers to stand and move comfortably. Not a rowboat, canoe, dinghy, or miniature. CAMERA POSITION: A wide-angle action camera is permanently bolted to a rigid mounting on the inboard face of the STARBOARD side at MIDSHIP, approximately 0.8 metres above deck level. CAMERA DIRECTION: The lens points directly toward the PORT side, ACROSS THE WIDTH of the deck. The optical axis is perpendicular to the vessel's longitudinal centreline: a strict 90-degree transverse view. Do not look toward the bow or stern. Do not look diagonally along a side passage. COMPOSITION: The opposite port-side bulwark runs LEFT TO RIGHT across the frame, approximately parallel to the bottom image edge. It does NOT form a long diagonal receding into the distance. The deck fills the lower portion of the image. The two people occupy the middle foreground. Open water and sky remain clearly visible beyond the opposite side. Two short, sturdy, waist-high wooden handrails extend inward from the opposite bulwark toward the camera, stopping around the middle of the deck. They border the central space where the two people stand. Each passenger uses their own adjacent internal rail, not the outer bulwark. Use wide-angle GoPro-like optics, mild edge distortion, and deep focus. Frame both standing faces and final crouching positions without moving the camera. RIGID ATTACHMENT AND HORIZON: The camera and hull are ONE rigid moving object. The camera never rotates or translates independently of the vessel. The deck, opposite bulwark, and handrails remain locked in position and orientation relative to the image edges throughout the shot. The SEA HORIZON is not stabilized. It repeatedly tilts strongly relative to the boat, swings through level, and tilts the opposite way. Use combined hull roll and pitch in irregular crossing waves, producing pronounced alternating horizon slopes of approximately 15–25 degrees in this transverse camera view, together with visible vertical movement of the sea. These are heavy, smooth, irregular wave-driven oscillations, approximately one full back-and-forth cycle every 2–3 seconds, not rapid handheld jitter. The boat is the stable reference INSIDE THE IMAGE. The surrounding sea and sky move relative to it. [Specific Plot Description — Timestamped Storyboard] [00:00–00:02.5] CONVERSATION ON AN ALREADY ROCKING DECK Begin immediately with the established transverse camera composition and strong hull movement. No calm establishing shot. PERSON_A stands screen-left and PERSON_B screen-right between the internal rails. Both face slightly toward each other in three-quarter profile, chatting casually. Their eyes stay on each other, never on the camera. Their conversation is unintelligible beneath the wind and waves. Each holds their adjacent wooden rail with ONE hand. Their bodies continuously compensate for the rocking with bent knees, shifting weight, and small shoulder movements. The deck and rails remain fixed relative to the lens while the sea horizon visibly swings from a strong slope in one direction toward the opposite slope. [00:02.5–00:05.5] ONE FAST DIAGONAL BREACH Beyond the opposite PORT side, several metres clear of the hull, GIANT_C bursts diagonally from the sea. At approximately 00:02.5, the head breaks the surface. By EXACTLY 00:03, the entire head is clearly above water, already moving UPWARD AND SIDEWAYS, with the shoulders following immediately. The giant travels from screen-right toward screen-left through the open-water background. Their body emerges at an oblique angle, approximately 35–45 degrees above the water surface, NOT vertically upright. Head, shoulders, torso, and upper legs follow the same continuous momentum-driven arc. Both arms remain straight and pressed firmly against the sides, hands beside the thighs. The body is partly side-on, with the chest and face angled enough toward the vessel for the reference identity to remain recognizable. The giant's expression is stony and cold. Their eyes track the passengers briefly DURING the movement, without pausing. Water streams from the exact reference clothing. The giant's torso dwarfs the passengers and vessel, with consistent human proportions. At the first eruption of water, both passengers snap their heads toward the giant, then turn their shoulders toward the opposite side while retaining their grips. Their expressions change immediately to fear. The giant follows a brief heavy arc, rolls onto their flank, and falls directly back into the sea. Complete the entire emergence and sideways landing by 00:05.5. No upright standing pose, no elevator-like rise, no hovering, no pause at the apex, no slow motion. The giant lands on their SIDE clear of the vessel. Their broad sideways impact displaces water toward the port side. [00:05.5–00:09.5] THE WAVE STRIKES AND THE HULL REBOUNDS Continue from that single impact. Do not repeat the fall. A large splash erupts at the landing point. A broad visible ridge of displaced water travels from the giant toward the vessel. Both passengers immediately grip their respective internal rails with BOTH hands and bend their knees. The wave reaches the opposite port side, lifts and shoves the hull, and spills a shallow surge of foamy seawater over the bulwark. The impact produces a much stronger combined rolling and pitching impulse, followed by two or three visible rebounds. The sea horizon swings sharply relative to the fixed boat structures. The camera remains absolutely rigid against the hull. Do not stabilize the horizon during the impact. The passengers stagger against their grips, shoulders and knees absorbing the force. Neither falls overboard. Water sweeps across the deck, drenching their exact reference outfits and hair. Their clothing darkens naturally with wetness. Spray briefly spatters the lens but does not hide the entire action. Water flows toward deck-edge drainage openings instead of appearing and disappearing instantly. The vessel remains intact and afloat. [00:09.5–00:14] THE ENORMOUS HEAD SWIMS ALONGSIDE GIANT_C resurfaces beyond the port side, toward screen-left. Only the enormous head remains above the surface. Neck, shoulders, arms, and torso stay submerged. Preserve exactly the same giant scale and reference face. The head glides slowly from screen-left toward screen-right along a short curved path beside the vessel, remaining within the transverse camera's view. Show clear sideways travel relative to the opposite bulwark, a broad trailing wake, and ripples displaced by the submerged body. This is continuous swimming, not a stationary head rising vertically. GIANT_C watches the two passengers with a silent predatory stare, closed mouth, no smile. The threatening effect comes from immense size, proximity, and unwavering attention. The passengers follow the head with their eyes and turn their heads along its path. Both remain drenched and grip the rails with two hands. Strong hull motion continues. The background sea horizon keeps tilting relative to the boat; do not let the camera settle into a level stabilized view. [00:14–00:17] CROUCHING AND AVERTING THEIR FACES Both passengers recoil from the giant and lower into frightened crouches without releasing their two-handed grips. They turn their faces away from the threat toward the interior of the deck. This reveals their wet faces in three-quarter view, but their eyes look DOWN toward the deck, toward their hands, or sideways toward each other. They never meet the camera lens with their eyes. Do not create a posed front-facing reaction shot. Show wide frightened eyes, tense brows, trembling lips, hunched shoulders, and strained breathing. End with both drenched passengers crouched at the internal rails, the giant's enormous watchful head visible beyond the opposite side, and the sea horizon still swinging around the boat-relative frame. No attack before the end. [Global Supplement] CAMERA CHECK: Strictly across the width of the vessel. Opposite bulwark spans left to right. No diagonal passage leading toward the bow or stern. Camera mounting never changes. Boat geometry stays fixed relative to the image. The world horizon visibly tilts relative to the boat. If the people and background were hidden, the visible deck and handrails would remain almost motionless inside the frame. If the boat were hidden, the sea and sky would show strong continuous tilting and vertical movement. No HyperSmooth, electronic stabilization, horizon leveling, gimbal effect, handheld drift, camera orbit, tracking, panning, zooming, reframing, cuts, or reverse angles. ACTION CHECK: Head visibly airborne by 00:03. One diagonal breach, completed with a sideways impact by 00:05.5. One displacement wave, then one resurfacing. No vertical standing emergence or repeated action. The giant's gaze never interrupts their momentum. GAZE CHECK: Opening: passengers look at each other. Breach and swimming: passengers look at the giant. Final crouch: passengers avert their faces and look down or toward each other. No direct eye contact with the camera at any point. IDENTITY AND CLOTHING: A matches @image1, B matches @image2, C matches @image3. Distinct identities and exact reference garments throughout. Only wetness, natural fabric motion, and wind affect appearance. Both passengers stay wet after the wave. COLOR AND ATMOSPHERE: Cold desaturated teal-grey grading, dark rough sea, white foam, pale overcast sky, cool diffused daylight, cinematic contrast, subtle film grain. Photorealistic wet wood, skin, fabric, spray, and water. No warm sunlight or tropical colors. AUDIO: Diegetic sound only: strong wind, waves against the hull, creaking wood, rushing water, heavy sideways impact, water crossing the deck, startled gasps, frightened breathing. Opening conversation remains indistinct. No intelligible dialogue, no music. PROHIBITED: LEGO, toys, miniature people, tiny boat, narrow rowboat, cartoon rendering, whale anatomy, fins, extra passengers, duplicated faces, identity swaps, altered clothing, added swimming equipment, scale changes, vertical elevator-like emergence, hovering, slow motion, repeated breach, stationary floating head, direct camera eye contact, people falling overboard, hull destruction, obstructing mast or rigging, level stabilized sea horizon, diagonal camera direction, subtitles, captions, text overlays, added logos.