Создаем видео: "Когда купил новую машину и показываешь её друзьям..."
Нужен аккаунт в Syntx.ai (https://syntx.ai/welcome/mEQ2WKuT)
*Подписка PRO и выше.
Нейросети: Gpt Image 2 для фото, Seedance 2.5 для видео.
Нужно: ваше фото, фото машины (желательно с разных сторон).
1.Создаем карту персонажа и машины.
Отправляем фото человека в Раздел ИЗОБРАЖЕНИЯ - Gpt Image 2 - Соотношение сторон 16:9 - Качество 2к:
Take the person's appearance from the uploaded photos and create a character reference sheet, divided into three vertical panels on a neutral white or light-gray background.
RIGHT PANEL (close-up):
A close-up portrait of the person's face, cropped at the shoulders (bust shot). Face front-facing, looking directly at the camera, neutral expression, natural even lighting. Preserve all facial features and details as accurately as possible: eye shape, nose, lips, eyebrows, face shape, eye color, skin tone and texture, hair shape and color, as well as any unique features (moles, freckles, ear shape). High detail, realism, portrait quality.
LEFT PANEL (back view, full body):
The person standing at full height, front view, in their everyday clothing, arms along the body, feet shoulder-width apart. IMPORTANT: the head and face are completely absent — the figure is cropped at the neck/shoulder line, no head. Only the figure from the neck down is shown. Preserve body build, proportions, and clothing.
MIDDLE PANEL (front view, full body):
The same person, back view, in the same clothing, at full height, including the head and hair (viewed from behind). Preserve the hairstyle, body build, and clothing details.
GENERAL REQUIREMENTS:
Unified style, consistent lighting and figure scale across all panels, consistency of appearance and clothing between panels. Clean background, clear vertical dividers between panels. Realistic photographic style, high resolution.
Take the car's appearance 100% from the uploaded reference images (front view and rear view of the same car) and preserve absolutely every detail exactly as it is: body shape, color, paint finish, grille, headlights, taillights, bumpers, wheels, rims, badges, trim and proportions — whatever car it is, nothing added, nothing removed, nothing redesigned. Identify the car's brand and model from the badges and lettering visible in the reference images.
Create a premium automotive spec card, 16:9 horizontal layout, clean professional presentation design:
— TWO LARGE MAIN PANELS side by side. LEFT PANEL: the car in a FRONT three-quarter view, camera positioned slightly above eye level so the roof of the car is clearly visible. RIGHT PANEL: the car from the same slightly elevated camera height, but in a REAR three-quarter view from the opposite side, roof visible as well. In both panels the car is fully in frame, perfectly lit studio-style, identical scale in both panels.
— ONE SMALL SQUARE PANEL centered at the bottom between the two main panels: a macro close-up of the car's brand badge/logo exactly as it appears on the car in the reference images, sharp and detailed, filling the square.
— At the TOP CENTER of the card: the car's name written as clean elegant text — use the exact brand and model taken from the reference images (from its badges and lettering), in a modern premium sans-serif font, large and clearly legible, correctly spelled.
Style: high-end car configurator / brochure aesthetic, neutral dark studio background with soft gradient lighting behind the car in both panels, subtle floor reflections under the wheels, thin minimal panel borders or soft separation between panels, cohesive color scheme matching the car's paint color as an accent. Photorealistic renders of the car with real physical texture: accurate reflections on paint and glass, correct shadows under the body.
Do not change the car's design, color or proportions — it must look exactly like the reference images in every panel. No people, no other cars, no extra text beyond the car's name at the top, no watermarks, no fictional badges, no misspelled lettering, no distorted logo in the badge close-up.
2.Создаем видео.
Есть два варианта:
-Отправить промпт с музыкой
-Отправить промпт без музыки
*Разницы почти нет, но я отправлял с музыкой.
Мелодия для промпта: ССЫЛКА
Музыка для монтажа: ССЫЛКА
Переходим в Раздел Видео - Выбираем Seedance 2.5 - Режим Omni Reference - Качество 720p (480р, чтобы сэкономить, а если мажоры, то 1080р) - Соотношение сторон 16:9
Длительность 20 сек (если отправляете вместе с мелодией, то выбираете "AUTO").
Загружаем карту персонажа + КАРТУ МАШИНЫ (также мелодию, при желании). После вставляем промпт и вручную удаляем все "@image1", "@image2" и заново их прописываем, когда будете вводить "@" там можно будет выбрать нужный файл, так они привяжутся к промпту (если делаете в Syntx.ai, то ничего делать не нужно, они автоматически привяжутся):
[REFERENCES] @image1 — character reference sheet. Preserve the exact person's face, apparent age, gender presentation, hair, physique, clothing, footwear, and accessories throughout. Use only the person and outfit from this sheet, NOT its background, lighting, poses, or panel layout. @image2 — vehicle reference sheet. Preserve the exact car, paint color, proportions, wheels, lights, glass, mirrors, handles, grille, badges, and body details. Use only the vehicle design, NOT the reference background or studio lighting. @audio1 — original soundtrack and rhythmic editing reference. Use this exact audio from the beginning, at its original speed and pitch, without replacement music. The reference sheets show different views of ONE person and ONE car. Do not reproduce their panels or create duplicates. [CONCEPT AND LOCATION] A cinematic car-owner showcase on an EMPTY OUTDOOR PARKING LOT IN RUSSIA ON AN AUTUMN NIGHT. This outdoor location is mandatory in every shot. Dark open sky, weathered asphalt, faded parking lines, scattered yellow and brown leaves, bare trees, ordinary tall streetlamps, and distant subdued apartment-building silhouettes. Slightly damp asphalt reflects the streetlights. No other parked cars or pedestrians. Streetlamps are the only environmental light sources. The car's actual lights may also be visible. Preserve nighttime darkness between illuminated areas. Paint and glass catch narrow reflections from real streetlamps and surrounding trees. NO studio, showroom, cyclorama, seamless grey background, indoor ceiling, daylight, or featureless floor. Even close-ups must retain outdoor context through asphalt, leaves, streetlamp bokeh, or physically consistent reflections. [DURATION AND EDIT] Match @audio1, approximately 19.51 seconds. One opening shot until approximately 00:04.1, then EXACTLY TWELVE presentation shots. Use the timeline below as approximate guidance and align cuts with prominent accents in @audio1. No extra shots or end card. The opening looks like authentic handheld smartphone footage. At the first detail shot, switch decisively to polished professional automotive cinematography while keeping the same location, night, person, outfit, and car. If the output requires 20 seconds, hold the final image after the soundtrack finishes; do not stretch or loop @audio1. [00:00–00:04.1 | HANDHELD PHONE OPENING] Realistic nighttime smartphone footage recorded by someone standing nearby. Slight irregular hand tremor, modest low-light noise, natural motion blur, and a small reactive framing adjustment. No smooth commercial orbit or artificial slow motion in this opening. The person from @image1 stands in the foreground with arms crossed. Their torso is turned approximately 30–45 degrees away from the camera, while their head turns toward the lens. Serious model-like expression, closed mouth, relaxed confidence. Maintain the exact reference clothing. The car from @image2 is already moving quickly in the background at the start. An adult woman is seated at the correct driver's position, visible only naturally through the windows when the angle allows. She remains inside and is not a second presenter. Show a fast approach on a diagonal behind the foreground person, followed by one decisive sideways drift resembling a cinematic handbrake turn. The rear swings outward while the whole vehicle continues translating across the asphalt. The car must travel along a coherent path, NOT rotate in place. Maintain wheel contact with the road, plausible steering, weight transfer, and continuous momentum. Restrained tire haze trails from the road-contact area; do not hide the vehicle behind smoke. The drift finishes behind the person, with the car settling into a side-dominant three-quarter view. The stopping position appears almost touching the person, with only a hairline gap visible in the final screen composition. Create this near-contact illusion through compositing and compressed perspective, not an actual close pass. No collision, overlap, or contact. The person does not step away or uncross their arms. A small handheld camera reaction emphasizes the sudden arrival. Finish the stop before the musical cut around 00:04.1. No supernatural sliding, instant direction changes, wheel skating, or rotating-car display-platform effect. [00:04.1–00:05.4 | 01: FRONT WHEEL] Switch to professional cinema-camera footage. Low stabilized lateral track past the stationary front wheel, with strong parallax between the tire, bodywork, and distant streetlights. Damp asphalt and leaves remain visible. The person is already crouched beside the wheel, recognizable face at the frame edge. One index finger points precisely toward the visible rim center without covering it. Their gaze moves from the rim to the lens. Mouth closed, eyebrows subtly lifted. [00:05.4–00:06.7 | 02: FRONT EMBLEM] Close diagonal camera slide across the front grille toward the exact emblem. Streetlamp reflections move naturally across the badge as the viewing angle changes. The person's face is already close beside the emblem. An open palm sits just below it like a presentation stand. Eyes glance toward the badge, then toward the camera with quiet satisfaction. No lip movement. [00:06.7–00:08.0 | 03: HEADLIGHT] Short curved tracking move around the front corner, tracing the real headlight shape. Visible perspective change across the lamp, fender, and background lights; not a digital zoom. The person leans into the far edge of the composition. Their fingertip indicates the actual headlight contour, stopping beside the lens rather than covering it. Eyes follow that contour. Closed neutral mouth. [00:08.0–00:09.3 | 04: SIDE MIRROR] Close stabilized arc from the mirror's front edge toward its outer side. The mirror remains sharp while bare-tree silhouettes and streetlights shift behind it. The person's face is visible beside the mirror. An open hand presents the housing from below. They glance from the mirror to the lens with a small eyebrow lift. Do not wave or speak. [00:09.3–00:10.6 | 05: DOOR HANDLE] Smooth lateral dolly along the door, ending with the actual handle prominent. Moving streetlamp reflections reveal the paint and panel contour. The person stands beside the door, face visible near the upper frame edge. Their index finger points directly beside the handle, not toward an unrelated panel. Keep the door closed and the feature unobstructed. [00:10.6–00:11.9 | 06: SIDE SILHOUETTE] Low professional tracking move parallel to the car, revealing its side proportions with clear foreground-to-background parallax. Include parking markings and autumn leaves. The person stands near one end of the car, occupying a small portion of the frame. Both open palms present the vehicle's length. Their gaze follows the body line, then returns to the lens. Calm face, pleased eyes, closed mouth. [00:11.9–00:13.2 | 07: REAR WHEEL] Short low arc around the stationary rear wheel and fender. A nearby blurred leaf provides foreground depth while the wheel remains clear. The person is already crouched at the opposite frame edge. Point precisely toward a visible wheel spoke with one hand. Keep the face recognizable and the gesture anatomically natural. [00:13.2–00:14.5 | 08: TAILLIGHT] Close tracking pass around the rear corner, following the actual taillight and revealing part of the adjoining bodywork. Rich but realistic red reflections on damp surfaces. The person appears beside the light with an open palm immediately below it. Their eyes turn toward the taillight, then toward the viewer. No grin, no teeth, no moving lips. [00:14.5–00:15.8 | 09: REAR EMBLEM] Short diagonal dolly toward the exact rear emblem. Keep both the emblem and the person's nearby face readable. The person tilts their head slightly toward the badge and presents it primarily with eye direction and a subtle eyebrow lift. Hands may remain out of frame. Preserve reference lettering; do not invent or substitute branding. [00:15.8–00:17.1 | 10: LOWER REAR DETAIL] Very low lateral camera slide along an actual lower rear design feature visible in @image2. Keep the outdoor asphalt and scattered leaves visible. The person is already crouched at the edge, with part of their face included. Point directly beside the selected visible component. Show exhaust outlets or a diffuser only if the referenced car has them. [00:17.1–00:18.3 | 11: HOOD AND ROOFLINE] A short elevated diagonal crane move over the front quarter, revealing the hood, windshield, and roofline. Maintain smooth professional motion and moving streetlamp reflections. No impossible flight through glass or bodywork. The person stands beside the car, looks up toward the camera, and presents the visible hood line with one open palm. Keep the same face, clothes, and restrained expression. [00:18.3–00:19.51 | 12: FINAL HERO SHOT] Full car in a dramatic three-quarter view on the same empty autumn parking lot. Smooth low pullback combined with a restrained arc, showing the vehicle against streetlights and bare trees. The person stands beside the car without blocking it. Present the vehicle with both open palms, then hold the pose. Eyes show unmistakable satisfaction, but the mouth remains closed and neutral. Finish on this composition with the end of @audio1. [EXPRESSION AND SILENCE — MANDATORY] The presenter NEVER speaks, lip-syncs, mouths words, laughs, or shows teeth. Keep lips gently closed and relaxed in every shot. No visible smile or grin. Express happiness and pride through attentive eyes, slight eyebrow lifts, confident eye contact, and subtle head movements. Use believable gaze shifts between the actual featured detail and the lens, not exaggerated pupil movements or crossed eyes. All presentation is nonverbal. Do not interpret any gesture as an invitation to generate dialogue. [GESTURES AND FRAMING] The same recognizable presenter appears in every shot. A detached hand alone is insufficient. Place their face beside the feature, near a frame edge, or farther back within a readable depth of field. Each shot begins with the person already correctly positioned. One clear gesture per shot. Every pointing finger must indicate the specific featured component visibly inside that same frame. Keep fingertips beside the feature rather than covering it. No pointing offscreen, at empty space, or at unrelated parts. [CAMERA AND CONTINUITY] Opening: handheld smartphone realism. All twelve subsequent shots: stabilized professional camera movement with visible spatial parallax, controlled focus, natural motion blur, and cinematic reflections. No static slideshow, repeated digital zooms, frozen images, or identical camera moves. The car remains stationary after the opening. All wheels stop rotating. Maintain the same outdoor parking lot, nighttime illumination, exact vehicle, reference outfit, and presenter identity. The driver remains inside if visible; she never replaces or duplicates the presenter. Use direct beat-aligned cuts. No dissolves, morphing, costume changes, or relocation to a studio. [SOUND AND EXCLUSIONS] @audio1 is the sole soundtrack. Preserve its existing vocals and music, but do not animate the presenter singing or speaking along with them. No added dialogue, voice-over, engine sounds, tire sounds, or replacement music. No subtitles, text overlays, watermarks, additional cars, bystanders, invented vehicle components, altered emblems, duplicated people, distorted hands, body intersections, or collisions.