28 in which the cultural production system influences
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.
He identifies himself with ideological attitudes that convey messages familiar to his beliefs, even if that happens after a first moment of identifying his taste.
About the formation of taste, Pierre Bourdieu has the following thought:
in their daily lives, of the communicative messages emitted by the mass cultural means and products.
However, this appropriation occurs from the identification that the individual manifests in relation to the ideas, images and sounds conveyed in the cinema, on TV, by the phonographic industry, etc., in a process of adaptation to the values and beliefs that he has previously developed .
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.
He identifies himself with ideological attitudes that convey messages familiar to his beliefs, even if that happens after a first moment of identifying his taste.
About the formation of taste, Pierre Bourdieu has the following thought:
in their daily lives, of the communicative messages emitted by the mass cultural means and products.
However, this appropriation occurs from the identification that the individual manifests in relation to the ideas, images and sounds conveyed in the cinema, on TV, by the phonographic industry, etc., in a process of adaptation to the values and beliefs that he has previously developed .
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.
He identifies himself with ideological attitudes that convey messages familiar to his beliefs, even if that happens after a first moment of identifying his taste.
About the formation of taste, Pierre Bourdieu has the following thought:
communicative messages emitted by the mass media and cultural products.
However, this appropriation occurs from the identification that the individual manifests in relation to the ideas, images and sounds conveyed in the cinema, on TV, by the phonographic industry, etc., in a process of adaptation to the values and beliefs that he has previously developed .
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.
He identifies himself with ideological attitudes that convey messages familiar to his beliefs, even if that happens after a first moment of identifying his taste.
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