fashion, for example, can relate references to various styles, mixing elements from urban young cultures such as hippies or the
consequently, expanding the scope of customers. Haute couture takes place in a process of making similar to that of artisan artistic works. There are a small number of craftsmen present in the making of the pieces, each piece of clothing requires a long time to make, consequently, expanding the scope of customers. Haute couture takes place in a process of making similar to that of artisan artistic works. There are a small number of craftsmen present in the making of the pieces, each piece of clothing requires a long time to make, consequently, expanding the scope of customers. Haute couture takes place in a process of making similar to that of artisan artistic works. There are a small number of craftsmen present in the making of the...
The loss of space for haute couture in the fashion market with the entry of industrialized clothing partially removes the great property of stylists and this aristocratic fashion as the only fashion reference to be followed by all people in society. The beginning of mass production in clothing, ready-to-wear clothing, also referred to as ready-to-wear (French) or ready-to-wear (English), marks the beginning of a historical period that can no longer be explained by theoretical model of classical, aristocratic fashion, imposed by stylists and by the elite who ordered their handmade products. The large-scale production of clothing allows more classes of people to purchase such clothing, as they are cheaper than those previously produced...
Women's fashion was only able to break free from the domain of haute couture due to the new values linked to liberal societies in the stage of mass production and consumption. The impulse of a youth culture during the 1950s and 1960s accelerated the spread of hedonistic values, contributed to give a new face to the individualist claim. (...) It was this mass cultural galaxy that undermined the supereminent power of haute couture; the imaginary meaning "young" caused a disaffection with luxury clothing, assimilated at the same time to the "old" world. (...) At the moment when the imperative of expensive clothing is eclipsed, all shapes, all styles, all materials gain a legitimacy of fashion: the careless, the rough, the torn,
In addition, it can be said that the consumer market in contemporary society is not satisfied with depositing its products in silver
About the formation of taste, Pierre Bourdieu has the following thought:
He identifies himself with ideological attitudes that convey messages familiar to his beliefs, even if that happens after a first moment of identifying his taste.
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.
The consumption that perhaps such messages inspire the viewer through the ideological diffusion contained in them does not occur in an imitative and conformist way, without critical discernment of the consumer.