Discovering something that gives him pleasure, according to his taste, the viewe

fashion, for example, can relate references to various styles, mixing elements from urban young cultures such as hippies or the

punks31

with elements from non-Western cultures considered “exotic” like African and Indian cultures and, eventually, still incorporate elements consecrated in Western clothing from fashions that prevailed in other decades of the 20th century.

This century of great economic and political transformations is also very representative in terms of fashion in clothing, as the changes were immense and really brought news every decade of what was previously produced and used.

Today there are ample possibilities for dressing, greatly influenced by changes and evolutions in customs throughout history and especially in the 20th century.

In this century, phenomena such as the two world wars, the spread of sports and the growing presence of women in public life, as well as in the labor market,

much influenced the character of fashion in the present time.

Nowadays we see the coexistence of different groups of style, with different types and dress habits, although often with interpenetrated influences.

This also suggests that the diffusion of contemporary fashion does not always happen according to the model known as

tricle-down

, that is, coming from the economically wealthier classes towards the least resourceful classes. https://failfake.com/en/women-t-shirt-printing-graphic/334-oreo-women-t-shirt.html

Currently, according to Massimo Baldini, 32 the diffusion of a new style in fashion can happen horizontally in different style groups, but in the same income pattern;

between groups with different income patterns, but with similar lifestyles;

by counterculture groups or subcultures considered as “minorities” etc.

All of these possibilities

the idea of an imitation between classes hierarchically disposed by mostly economic factors, especially as indicated in the more economical analyzes of this phenomenon, which show an imitation that always comes from the less affluent classes towards the more affluent.

The purpose of obtaining distinction may still exist today, but these more affluent classes are not perceived as the only “distinct”, “special” classes and, therefore, the main models guiding style in clothing, only the most provided with resources financial resources.

Contemporary fashion suggests an appreciation