AiART
January 13
«Осень с привкусом вчерашнего чая»
«Autumn, Like Day-Old Tea»
PROMPT:
A moody, atmospheric portrait of a young woman looking directly at the viewer with a contemplative expression. Her hair is pulled back, wearing a dark turtleneck sweater under a coat. Soft painterly style, impressionistic brushstrokes, sfumato technique for seamless transitions between light and shadow, gentle blur and smudged edges, oil painting texture with visible impasto and layered glazes. Cool, subdued color palette — muted grays, blues, and soft browns, accented with subtle golden highlights to evoke a rainy day mood. Raindrops on glass in foreground add texture and depth. Background softly blurred with indistinct shapes of trees or foliage. Dreamy, introspective atmosphere with diffused, cinematic lighting. Slight motion blur to suggest quiet movement. Ultra soft focus, ethereal glow, hazy atmosphere — inspired by Craig Mullins and Loish. No sharp lines, no photorealism, no anime. misty transitions, airbrushed blending, velvety softness, no hard outlines, feathered edges. --ar 3:4
A contemplative portrait of a young woman seen through rain-streaked glass. She wears her hair pulled back and a dark turtleneck under a coat, gazing directly at the viewer with quiet introspection. Rendered in a soft oil painting style using the sfumato technique — all transitions between light and shadow must be seamless, velvety, and devoid of hard edges. Use a cool, muted palette: dominant tones of Pantone 18-4123 Classic Blue and Pantone 16-0211 Olive Sprig, with subtle golden warmth in skin highlights (Pantone 13-0929 Peach Nectar). Background: softly blurred foliage in deep grays (Pantone Cool Gray 11 C), rendered with atmospheric perspective. Foreground glass should show realistic raindrops that refract light gently. Overall mood: dreamy, rainy-day melancholy. Apply ultra-soft focus, ethereal glow, and hazy diffusion — no sharp lines, no photorealism. Texture: visible but delicate impasto on facial planes, smooth glazes in shadows. Inspired by the painterly sensitivity of Craig Mullins and the color harmony of Joaquín Sorolla.